Nude standing figure
Statuette
16th century (made)
16th century (made)
| Artist/Maker | |
| Place of origin |
This statuette showing a nude standing figure of a boy holding a vessel is by an unknown artist and was made in the 16th century. It was dug up near Cologne in Germany among a series of other objects.
It is of pipeclay, which is a fine white clay used to make tobacco pipes and pottery. Conveniently situated on a major trading route, Siegburg was a centre of ceramic production with well-organised workshops and kilns in which also pipe-clay figures were fired.
Conveniently situated on a major trading route, Siegburg was a centre of ceramic production with well-organised workshops and kilns in which pipe-clay figures were also fired.
It is of pipeclay, which is a fine white clay used to make tobacco pipes and pottery. Conveniently situated on a major trading route, Siegburg was a centre of ceramic production with well-organised workshops and kilns in which also pipe-clay figures were fired.
Conveniently situated on a major trading route, Siegburg was a centre of ceramic production with well-organised workshops and kilns in which pipe-clay figures were also fired.
Object details
| Category | |
| Object type | |
| Title | Nude standing figure (generic title) |
| Materials and techniques | Pipeclay |
| Brief description | Statuette, pipeclay, nude standing boy, Germany (Siegburg), 16th century |
| Physical description | Nude standing figure of a boy holding a vessel. |
| Dimensions |
|
| Object history | Dug up near Cologne. Bought, 5s. |
| Production | Germany - Siegburg |
| Subjects depicted | |
| Summary | This statuette showing a nude standing figure of a boy holding a vessel is by an unknown artist and was made in the 16th century. It was dug up near Cologne in Germany among a series of other objects. It is of pipeclay, which is a fine white clay used to make tobacco pipes and pottery. Conveniently situated on a major trading route, Siegburg was a centre of ceramic production with well-organised workshops and kilns in which also pipe-clay figures were fired. Conveniently situated on a major trading route, Siegburg was a centre of ceramic production with well-organised workshops and kilns in which pipe-clay figures were also fired. |
| Bibliographic reference | Inventory of Works of Art Acquired by the Victoria and Albert Museum in the Years 1903 - 1904. In: List of Works of Art Acquired by the Victoria and Albert Museum, During the Year 1903, Arranged According to the Dates of Acquisition with Appendix and Indices. London: Printed for His Majesty's Stationery Office, by Wyman and Sons, Limited, 1907, p. 252 |
| Collection | |
| Accession number | 1479-1903 |
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| Record created | November 21, 2008 |
| Record URL |
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