Model for angle-pieces on stove
Sketch Model
ca. 1850 - ca. 1851 (made)
ca. 1850 - ca. 1851 (made)
| Artist/Maker | |
| Place of origin |
This is a sketch for the bronze angle-pieces on the hot-air stove, designed by Steven for Mess Henry I. Hole & Co Ltd during 1850 and exhibited at the Great Exhibition of 1851.
Two spandrels are joined at a right angle; in one is a male figure and a monster; in the other a male figure lighting a torch from a lamp of classic shape.
A sculptor, designer and painter, Alfred Stevens rejected contemporary distinctions between fine art and design. From 1850 to 1857 he was chief designer to Hoole & Co., Sheffield, where he produced award-winning designs for metalwork, majolica, terracotta ornaments and chimney-pieces.
Perhaps his two greatest works were the decorations for the dining-room at Dorchester House, London (about 1856), for which he made countless drawings inspired by the Italian High Renaissance style, in particular the work of Michelangelo and the monument to the Duke of Wellington for St Paul's Cathedral, London, which was completed after his death. The two allegorical groups from this monument made a lasting impact on the New Sculpture movement.
The influence of the Italian Renaissance is evident in much of Steven's work, and is perhaps best reflected in the Wellington monument.
Two spandrels are joined at a right angle; in one is a male figure and a monster; in the other a male figure lighting a torch from a lamp of classic shape.
A sculptor, designer and painter, Alfred Stevens rejected contemporary distinctions between fine art and design. From 1850 to 1857 he was chief designer to Hoole & Co., Sheffield, where he produced award-winning designs for metalwork, majolica, terracotta ornaments and chimney-pieces.
Perhaps his two greatest works were the decorations for the dining-room at Dorchester House, London (about 1856), for which he made countless drawings inspired by the Italian High Renaissance style, in particular the work of Michelangelo and the monument to the Duke of Wellington for St Paul's Cathedral, London, which was completed after his death. The two allegorical groups from this monument made a lasting impact on the New Sculpture movement.
The influence of the Italian Renaissance is evident in much of Steven's work, and is perhaps best reflected in the Wellington monument.
Object details
| Categories | |
| Object type | |
| Title | Model for angle-pieces on stove (named collection) |
| Materials and techniques | Plaster |
| Brief description | Sketch model, plaster, for the bronze angle-pieces on the hot-air stove exhibited at the Great Exhibition 1851, by Alfred Stevens, England, ca. 1850-1 |
| Physical description | Two spandrels, joined at a right angle; in one is a male figure and a monster; in the other a male figure lighting a torch from a lamp of classic shape. |
| Dimensions |
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| Object history | Bought from Hugh Stannus, 64 Larkhall Rise, Clapham, London, together with range of other objects by Stevens, for £35. This model was included in a large purchase of material by Stevens in the possession of Stannus, a former pupil of Stevens who wrote a monograph on the sculptor in 1891. |
| Historical context | This is a sketch for the bronze angle-pieces on the hot-air stove, designed by Steven for Mess Henry I. Hole & Co Ltd during 1850 and exhibited at the Great Exhibition of 1851. |
| Subjects depicted | |
| Summary | This is a sketch for the bronze angle-pieces on the hot-air stove, designed by Steven for Mess Henry I. Hole & Co Ltd during 1850 and exhibited at the Great Exhibition of 1851. Two spandrels are joined at a right angle; in one is a male figure and a monster; in the other a male figure lighting a torch from a lamp of classic shape. A sculptor, designer and painter, Alfred Stevens rejected contemporary distinctions between fine art and design. From 1850 to 1857 he was chief designer to Hoole & Co., Sheffield, where he produced award-winning designs for metalwork, majolica, terracotta ornaments and chimney-pieces. Perhaps his two greatest works were the decorations for the dining-room at Dorchester House, London (about 1856), for which he made countless drawings inspired by the Italian High Renaissance style, in particular the work of Michelangelo and the monument to the Duke of Wellington for St Paul's Cathedral, London, which was completed after his death. The two allegorical groups from this monument made a lasting impact on the New Sculpture movement. The influence of the Italian Renaissance is evident in much of Steven's work, and is perhaps best reflected in the Wellington monument. |
| Bibliographic references |
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| Collection | |
| Accession number | 974-1903 |
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| Record created | November 20, 2008 |
| Record URL |
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