Cycling to the Distillery
Print
1984 (made)
1984 (made)
| Artist/Maker | |
| Place of origin |
For a press campaign for the whisky distillery Glenmorangie, the advertising agency commissioned wood engravings after market research undertaken by Gliddon & Gliddon found that the technique invoked notions of tradition and craftsmanship. The campaign focussed on the work and pastimes of the men who worked at the Glenmorangie Distillery, so artist George Tute (born 1933) was sent to meet the individuals who worked there. Original proofs can be found at E.735-1994 and (colour) E.743-1994.
Object details
| Categories | |
| Object type | |
| Title | Cycling to the Distillery (assigned by artist) |
| Materials and techniques | Colour offset lithograph on newspaper |
| Brief description | Ephemera for Glenmorangie, press advertisement, image designed by George Tute; British, 1984. |
| Physical description | Page from The Guardian newspaper, 30 November 1984, containing a Glenmorangie press advertisement. It shows George MacKenzie, the mashman, on his way to the regular evening check of the mash. Original proofs can be found at E.735-1994 and (colour) E.743-1994. |
| Dimensions |
|
| Production type | Mass produced |
| Gallery label | George TUTE (born 1933)
Press advertisement and proof for Glenmorangie Whisky. 1991
Advertising agency TBWA Holmes Knight Ritchie
Colour offset lithograph and wood engraving
E.734, 735-1994
The following is an extract from the market research report carried
out for the agency:
The medium used for the illustrations in Glenmorangie advertising
was seen as an important consideration. Respondents were aware
that if any illustration looked cheap, shoddy, hurriedly executed or
too modern in style, these attributes would gradually rub off onto
the Glenmorangie brand itself... What a wood cut did suggest was:
- Age. Respondents saw it as an 'old' technique...
- Tradition. Respondents saw the wood cut as having a long and
honourable history: it was not craze or passing fancy.
- Craftsmanship. Making a woodcut was expected to be a difficult,
specialised art, learned and practiced over many years...
Respondents had little difficulty in recognising the work of a master
craftsman in this execution.
George Tute was sent up to Scotland to the distillery to meet the
individuals who worked there. The campaign focused on the
interests of these men. For example George Mackenzie, the
Mashman, is shown on his regular evening check of the mash. (1994) |
| Object history | Acquired in connection with the display A Fine Line - Commercial Wood Engraving in Britain, V&A, 10 October 1994 - 26 March 1995. |
| Subjects depicted | |
| Summary | For a press campaign for the whisky distillery Glenmorangie, the advertising agency commissioned wood engravings after market research undertaken by Gliddon & Gliddon found that the technique invoked notions of tradition and craftsmanship. The campaign focussed on the work and pastimes of the men who worked at the Glenmorangie Distillery, so artist George Tute (born 1933) was sent to meet the individuals who worked there. Original proofs can be found at E.735-1994 and (colour) E.743-1994. |
| Associated objects |
|
| Bibliographic reference | Tute, George. Approaches to Wood Engraving. MA Thesis, Royal College of Art,London, 1984. |
| Collection | |
| Accession number | E.734-1994 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
| Record created | November 18, 2008 |
| Record URL |
Download as: JSON
