Luncheon tray thumbnail 1
Image of Gallery in South Kensington
On display at V&A South Kensington
Ceramics, Room 145

Luncheon tray

Tray
1859 (dated), ca. 1850 (designed)
Artist/Maker
Place of origin

This luncheon tray was designed for Minton by Augustus Welby Northmore Pugin, one of the leading designers of the Gothic revival in England. Pugin was very supportive of Minton's revival of the medieval technique of inlaid (or encaustic) tiles, which involved carving out sections of clay and filling the resulting grooves with different colourd slip, (liquid clay) to create a pattern. Such tiles could be used in the widespread restoration of Medieval churches and in Pugin's work on the Palace of Westminster. The inlaid technique was also employed on other wares, as with this tray.

Pugin created a number designs for Minton, including tiles and tableware. One of their most high profile collaborations was the Medieval Court at the 1851 Great Exhibition, for which Pugin designed majolica glazed tiles for the great stove exhibited there.


Object details

Category
Object type
TitleLuncheon tray (manufacturer's title)
Materials and techniques
Earthenware with inlaid decoration
Brief description
Luncheon tray with inlaid decoration in the Gothic style. Designed by A.W.N. Pugin and made by Minton, dated 1859.
Physical description
Tray or plateau, buff earthenware with inlaid decoration in green, white, yellow, red and orange. Design of gothic style ornament spreading out from a central point, including crown motif.
Dimensions
  • Diameter: 46cm
Styles
Marks and inscriptions
(impressed date mark for 1859 to base.)
Production
Title given in Minton & Co records
Summary
This luncheon tray was designed for Minton by Augustus Welby Northmore Pugin, one of the leading designers of the Gothic revival in England. Pugin was very supportive of Minton's revival of the medieval technique of inlaid (or encaustic) tiles, which involved carving out sections of clay and filling the resulting grooves with different colourd slip, (liquid clay) to create a pattern. Such tiles could be used in the widespread restoration of Medieval churches and in Pugin's work on the Palace of Westminster. The inlaid technique was also employed on other wares, as with this tray.

Pugin created a number designs for Minton, including tiles and tableware. One of their most high profile collaborations was the Medieval Court at the 1851 Great Exhibition, for which Pugin designed majolica glazed tiles for the great stove exhibited there.
Bibliographic references
  • Atterbury, Paul. Ceramics. in Paul Atterbury and Clive Wainwright, eds. Pugin: A Gothic Passion.London: Yale & Victoria and Albert Museum, 1994
  • Wedgwood, Alexandra, A.W.N.Pugin and the Pugin Family: Catalogue of Architectural Drawings in the Victoria and Albert Museum London: Victoria and Albert Museum, 1985
Other number
799 - design number
Collection
Accession number
7262-1861

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Record createdNovember 12, 2008
Record URL
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