The Annunciation thumbnail 1
The Annunciation thumbnail 2
On display

The Annunciation

Relief
ca. 1295-1302 (carved)
Artist/Maker
Place of origin

Arnolfo di Cambio came to Florence after working in Rome, and became head architect for Florence Cathedral. His striking representation of the Annunciation is unusual in giving so much prominence to the building in the centre, with the dove of the Holy Spirit flying out of it. The original placement of this relief is unknown.

The relief was recorded in the middle of the eighteenth century as being in the cloister of the convent of Santa Maria Maggiore in Florence. At this time a small, later, figure of the standing Christ (removed shortly before acquisition) stood under the canopy at the centre.

Object details

Categories
Object type
TitleThe Annunciation (generic title)
Materials and techniques
Marble, carved in high relief with plaster repairs
Brief description
Relief, The Annunciation, carved marble in high relief with plaster repairs, workshop of Arnolfo di Cambio, Italy (Florence), ca. 1300
Physical description
The Annunciation, marble relief. On the left is the angel with a sceptre in his hand, in the centre is a canopied shrine with spiral columns, and on the right is the Virgin with her right hand on her breast. A dove appears under the canopy of the shrine.

The nose of the Virgin, the fingers of the Angel's right hand and the heel of his right foot are made up in plaster.
Dimensions
  • Height: 74cm
  • Width: 127cm
  • Depth: 17cm
  • Weight: 322kg
Measured for the Medieval and Renaissance Galleries 2006.
Object history
The relief was recorded in the middle of the eighteenth century as being in the cloister of the convent of Santa Maria Maggiore in Florence. At this time a small, later, figure of the standing Christ (removed shortly before acquisition) stood under the canopy at the centre.
Subjects depicted
Summary
Arnolfo di Cambio came to Florence after working in Rome, and became head architect for Florence Cathedral. His striking representation of the Annunciation is unusual in giving so much prominence to the building in the centre, with the dove of the Holy Spirit flying out of it. The original placement of this relief is unknown.

The relief was recorded in the middle of the eighteenth century as being in the cloister of the convent of Santa Maria Maggiore in Florence. At this time a small, later, figure of the standing Christ (removed shortly before acquisition) stood under the canopy at the centre.
Bibliographic references
  • Inventory of Art Objects Acquired in the Year 1861 In: Inventory of the Objects in the Art Division of the Museum at South Kensington, Arranged According to the Dates of their Acquisition. Vol I. London: Printed by George E. Eyre and William Spottiswoode for H.M.S.O., 1868, p. 28
  • Maclagan, Eric and Longhurst, Margaret H. Catalogue of Italian Sculpture. Text. London: Victoria and Albert Museum, 1932, pp. 5,6
  • Seidel, M. 'Die Verkündigungsgruppe der Sieneser Kanzel'. Münchner Jahrbuch, 3rd series, XXI (1970), 26, 48-50, figs. 27-28
  • Raggio, Olga. Catalogue of Italian Sculpture in the Victoria and Albert Museum. Art Bulletin. Vol. L, 1968, p. 100
  • Pianazza, M. 'Giovan Pietro Campana Collezionista, Archeologo, Banchiere e il suo legame con Firenze', in Mitteilungen des Kunsthiostorischen Institutes in Florenz, XXXVII (1993), 2/3, p. 452
  • Pope-Hennessy, John. Catalogue of Italian Sculpture in the Victoria and Albert Museum. Volume I: Text. Eighth to Fifteenth Century. London: Her Majesty's Stationery Office, 1964, pp. 20-22
  • Roth, Nancy. "Now is the time. Felicity Powell's tribute to John Charles Robinson". In: The Medal, no. 42, spring 2003, p. 75, and see fig 2 on p. 77
  • Lusanna, Enrica Neri. Arnolfo : alle Origini del Rinascimento Fiorentino, Firenze : Pagliai Polistampa, ©2005 no.31
  • Tartuferi, Angelo (ed.) L'Arte a Firenze nell' Età di Dante: 1250-1300, Firenze : Giunti, 2004 no.37
Collection
Accession number
7563-1861

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Record createdDecember 15, 1999
Record URL
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