St Jerome thumbnail 1
St Jerome thumbnail 2
Not currently on display at the V&A

St Jerome

Bust
ca. 1475-1500 (made)
Artist/Maker
Place of origin

This is one of a number of busts of St Jerome derived from sculptures by Andrea del Verrocchio (1435-1488), this one thought to be made by a sculptor from the circle of Giovanni Rustici (1474-1554). The biographer and painter Georgio Vasari (1511-1574), records that Verrocchio made a bust of St Jerome but this work has not been identified. Verrocchio's pupils, Leonardo da Vinci (1452-1519) and Rustici have both been associated with these busts.
St Jerome was a Roman Catholic priest, who is well known for having translated the Vulgate, an early 5th century version of the bible in Latin.
In art he appears often as one of the four Latin doctors of the church (the others being Augustine of Hippo, Ambrose and Pope Gregory I ) and is often represented in the costume of a cardinal.
Rustici is best known for his bronze group of the Preaching of the Baptist over the north door of the Baptistry in Florence (commissioned 1506; exhibited 1511). There is a tradition that during work on this group he was advised by Leonardo da Vinci, whose influence is reflected in a number of small terracotta groups of fighting horsemen and figures in the Museo Nazionale, Florence, and elsewhere. Rustici was also responsible for a series of terracotta roundels with mythological scenes in the Villa Salviati, Florence. About 1527-8 he left Florence for France, where he worked for the remainder of his life.


Object details

Categories
Object type
TitleSt Jerome (generic title)
Materials and techniques
Stucco
Brief description
Bust, stucco, St Jerome, by the circle of Giovanni Rustici, Italy (Florence), ca. 1475-1500
Physical description
Saint Jerome is shown with head upturned and open mouth. His left shoulder is covered with a cloak.
Dimensions
  • Height: 59.1cm
  • Width: 66cm
  • Depth: 30.5cm
Object history
Bought in 1882 in Florence, (vendor not recorded).
Subject depicted
Summary
This is one of a number of busts of St Jerome derived from sculptures by Andrea del Verrocchio (1435-1488), this one thought to be made by a sculptor from the circle of Giovanni Rustici (1474-1554). The biographer and painter Georgio Vasari (1511-1574), records that Verrocchio made a bust of St Jerome but this work has not been identified. Verrocchio's pupils, Leonardo da Vinci (1452-1519) and Rustici have both been associated with these busts.
St Jerome was a Roman Catholic priest, who is well known for having translated the Vulgate, an early 5th century version of the bible in Latin.
In art he appears often as one of the four Latin doctors of the church (the others being Augustine of Hippo, Ambrose and Pope Gregory I ) and is often represented in the costume of a cardinal.
Rustici is best known for his bronze group of the Preaching of the Baptist over the north door of the Baptistry in Florence (commissioned 1506; exhibited 1511). There is a tradition that during work on this group he was advised by Leonardo da Vinci, whose influence is reflected in a number of small terracotta groups of fighting horsemen and figures in the Museo Nazionale, Florence, and elsewhere. Rustici was also responsible for a series of terracotta roundels with mythological scenes in the Villa Salviati, Florence. About 1527-8 he left Florence for France, where he worked for the remainder of his life.
Bibliographic references
  • List of Objects in the Art Division, South Kensington Museum acquired during the Year 1882. London: 1883, p. 7
  • MacLagan, E, and Longhurst, Margaret, H. Catalogue of Italian Sculpture. London: V&A, 1932, p. 63
  • Schottmuller, Frida. Die Italienischen und spanischen Bildwerke der Renaissance und des Barocks in Marmor, Ton, Holz, und Stuck. Berlin: v, 1913, p. 232
  • Gronau. Repertorium. 1923. XLIV, p. 137
  • Pope-Hennessy, John. Catalogue of Italian Sculpture in the Victoria and Albert Museum. London: Her Majesty's Stationary Office, 1964, p. 403
  • Fischel. 'Die Zeichnungen der Umbrer', in Jahrbuch der Koniglich Preussischen Kunstsammlungen. 1917. XXXVIII, p. 31
  • Suida. Leonardo und sein Kreis. Munich, 1929, pp. 110-11
  • Middeldorf. 'New Attributions to G.F. Rustici.' in Burlington Magazine. 1935, LXVI, p. 75
  • Robinson, J.C. Italian Sculpture of the Middle Ages and Period of the Revival of Art: A descriptive catalogue of the Works forming the above section of the Museum with additional Illustrative notices. London, 1862, p. 101
  • Raggio, Olga. 'Catalogue of Italian Sculpture in the Victoria and Albert Museum.' Art Bulletin. 1968, vol. L, p. 101
  • Avery, Charles. Finger prints of the artist. European Terracotta from the Arthur M. Sackler Collections. Washington, 1981, cat. no, 7. p. 42
  • Franklin, D, ed. Leonardo da Vinci, Michelangelo and the Renaissance in Florence. Ottawa, 2005, pp. 70-1, 334
  • Sénéchal, Philippe, Giovan Francesco Rustici, 1475-1554: un sculpteur de la Renaissance entre Florence et Paris, Paris, 2007, p. 218.
Collection
Accession number
65-1882

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Record createdDecember 15, 1999
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