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Not currently on display at the V&A

Augustus and the Sibyl

Medallion
16th century (made)
Artist/Maker
Place of origin

This medallion is ascribed to Moderno and made in the 16th century in North Italy.

Moderno (Galeazzo Mondella) (1467-1528) is the pseudonym of this goldsmith and medallist active in North Italy and later in Rome. He signed certain pieces of his work with OPUS MODERNI (opus is the Latin term for 'work' - which then means 'work of the modern'). The modern here is referring to the Ancient World, in contrary to the Naturalism of the Gothic. His earliest works may date around 1485-1490, and his earliest dated work is 1490.


Object details

Categories
Object type
TitleAugustus and the Sibyl (generic title)
Materials and techniques
Bronze
Brief description
Medallion Plaque, bronze, depicting Augustus and the Sibyl, ascribed to Moderno, North Italy, 16th century
Physical description
Plaque depicts: Augustus wearing a pointed crown, kneels, with hands clasped, looking upwards at a vision of the Virgin and Child in the clouds which is indicated by the Tiburtine Sibyl who stands behind him. In the background is a wall with decorative reliefs. Moulded rim with cable edging.
Dimensions
  • Diameter: 5.6cm
Object history
Aquired in Italy, £2.
Subjects depicted
Summary
This medallion is ascribed to Moderno and made in the 16th century in North Italy.

Moderno (Galeazzo Mondella) (1467-1528) is the pseudonym of this goldsmith and medallist active in North Italy and later in Rome. He signed certain pieces of his work with OPUS MODERNI (opus is the Latin term for 'work' - which then means 'work of the modern'). The modern here is referring to the Ancient World, in contrary to the Naturalism of the Gothic. His earliest works may date around 1485-1490, and his earliest dated work is 1490.
Associated objects
Bibliographic references
  • Inventory of Art Objects Acquired in the Year 1864 In: Inventory of the Objects in the Art Division of the Museum at South Kensington, Arranged According to the Dates of their Acquisition. Vol I. London: Printed by George E. Eyre and William Spottiswoode for H.M.S.O., 1868, p. 47
  • Maclagan, Eric, Catalogue of Italian Plaquettes, London: Victoria and Albert Museum, 1924, p. 31
  • Angus Patterson, "The Perfect Marriage of Art and Industry: Elkingtons and the South Kensington Museum's Electrotype Collection", The Journal of the Antique Metalware Society, Vol. 20, June 2012, pp. 56-77, ill. p. 67
Collection
Accession number
270-1864

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Record createdNovember 4, 2008
Record URL
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