Image of Gallery in South Kensington
On display at V&A South Kensington
Ceramics, Room 143, The Timothy Sainsbury Gallery

Fragment, Bowl

1480 to 1500 (made), late 15th-16th century (made)
Artist/Maker
Place of origin

This fragment of a bowl is known as a 'kiln waster'. The bowl was made, then covered with a white slip, decoration was incised through this slip and it was fired in a kiln. This is known as the biscuit firing. It was at this stage that the bowl was damaged and then discarded.

Images of women's heads in profile are common in Italian Renaissance ceramics. A fragmentary bowel in the Fondazione Fioini in Legnago has a very similar image and probably were made in the same workshop. Both bowls were given by Maria Fiorini who excavated sites in Legnago.The large number of kiln wasters discovered at Legnago suggests the presence of several ceramic workshops in the area in the 15th and 16th centuries.

The dotted background on this fragment was executed with a rouletted wheel. The main image was incised first and then the background was dotted. The decorator of this object accidentally scored over the woman's chin with his wheel.


Object details

Category
Object type
Materials and techniques
Red earthenware covered with white slip and decoration incised through the slip
Brief description
One of fifty-four fragments of sgraffito earthenware. Italian, Legnago, last quarter of 15th-16th century.
Physical description
One of fifty-four fragments of earthenware with decoration incised through white slip, kiln spurs, etc.
Dimensions
  • Weight: 0.080kg
  • Height: 2.5cm
  • Width: 8.2cm
  • Depth: 8.4cm
Style
Gallery label
  • Base fragment of bowl, with female head on dotted ground. Last quarter 15th century, dug up at Legnago, near Verona. Given my Signora Maria Fioroni(1952)
  • 5-14 Biscuit-fired fragments (kiln wasters), with modern tools Italy, (5-7) probably Bologna, 1510-20; (8-9) Legnago (Veneto), 1480-1500 The lighter lines on no. 5 were executed with a fine stylus similar to no. 10, while the bold lines on no. 6 used a thicker stylus like no. 11. The potter decorated no. 7 using tools with rounded and angled wire loops like nos. 12-13. The dotted backgrounds on nos. 8-9 were created with a rouletting wheel similar to no. 14. Museum nos. C.65, 77, 69-1920, given by Dr W.L. Hildburgh; C.12B&C-1952, given by M. Fioroni; tools purchased for this display((TAB) 2009)
Credit line
Given by Signora M. Fiorini.
Object history
Given by Maria Fioroni from her excavations in Legnago.
Subject depicted
Summary
This fragment of a bowl is known as a 'kiln waster'. The bowl was made, then covered with a white slip, decoration was incised through this slip and it was fired in a kiln. This is known as the biscuit firing. It was at this stage that the bowl was damaged and then discarded.

Images of women's heads in profile are common in Italian Renaissance ceramics. A fragmentary bowel in the Fondazione Fioini in Legnago has a very similar image and probably were made in the same workshop. Both bowls were given by Maria Fiorini who excavated sites in Legnago.The large number of kiln wasters discovered at Legnago suggests the presence of several ceramic workshops in the area in the 15th and 16th centuries.

The dotted background on this fragment was executed with a rouletted wheel. The main image was incised first and then the background was dotted. The decorator of this object accidentally scored over the woman's chin with his wheel.
Bibliographic references
  • G. Morazzoni, Maioliche e armi antiche di Legnago, Milan, 1950
  • G. Ericani and P. Marini, La ceramica nel Veneto. La Terrafirma dal XIII al XVIII secolo, Verona, 1990
  • Maria Fioroni, Ceramiche di Legnago, Faenza, 1962
Collection
Accession number
C.12B-1952

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Record createdOctober 22, 2008
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