The Child Christ thumbnail 1
Not currently on display at the V&A

The Child Christ

Statuette
ca. 1490-1510 (made)
Artist/Maker
Place of origin

This statuette is made in the workshop of Andrea della Robbia and appears to be an independent statuette made for domestic use.

The Della Robbia family was an Italian family of sculptors and potters. They were active in Florence from the early 15th century and elsewhere in Italy and France well into the 16th century. Andrea was the Nephew of Luca della Robbia, who founded the workshop and invented the technique of enamelled terracotta. Andrea della Robbia, who inherited the workshop, tended to use more complex compositions and polychrome glazing rather than the simple blue-and-white schemes favoured by his uncle. Trained as a marble sculptor in the studio of his uncle Luca, Andrea della Robbia also became an excellent modeller, unrivalled in his ability to capture the life of his subjects in glazed clay.



Object details

Categories
Object type
TitleThe Child Christ (generic title)
Materials and techniques
Polychrome, enamelled terracotta
Brief description
Statuette, Child Christ, enamelled terracotta, workshop of Andrea della Robbia, ca. 1490-1510
Physical description
The naked figure is represented standing in full-length on a shallow violet base. at the back a green plant serves as a rear support. His curly hair is parted in the centre, and he holds an apple in his left hand. His right hand is raised in blessing. The figure is enamelled in white, and the eyes are brown.
Dimensions
  • Height: 45.7cm
Object history
Given by Mr. George H. Morland.
Historical context
The figure appears to be an independent statuette made for domestic use
Subject depicted
Summary
This statuette is made in the workshop of Andrea della Robbia and appears to be an independent statuette made for domestic use.

The Della Robbia family was an Italian family of sculptors and potters. They were active in Florence from the early 15th century and elsewhere in Italy and France well into the 16th century. Andrea was the Nephew of Luca della Robbia, who founded the workshop and invented the technique of enamelled terracotta. Andrea della Robbia, who inherited the workshop, tended to use more complex compositions and polychrome glazing rather than the simple blue-and-white schemes favoured by his uncle. Trained as a marble sculptor in the studio of his uncle Luca, Andrea della Robbia also became an excellent modeller, unrivalled in his ability to capture the life of his subjects in glazed clay.

Bibliographic references
  • Corry, Maya, Howard, Deborah and Laven, Mary, Madonnas & Miracles : The Holy Home in Renaissance Italy, New York: Philip Wilson Publishers, 2017, p. 80, cat. no. 78.
  • Ajmar-Wollheim, Marta and Flora Dennis, At Home in Renaissance Italy, London: V&A Publishing, 2006.
  • Pope-Hennessy, John. Catalogue of Italian Sculpture in the Victoria and Albert Museum. Volume I: Text. Eighth to Fifteenth Century. London: Her Majesty's Stationery Office, 1964, pp. 225,226
  • Maclagan, Eric and Longhurst, Margaret H. Catalogue of Italian Sculpture. Text. London: Victoria and Albert Museum, 1932, p. 54
  • Inventory of Art Objects Acquired in the Year 1861 In: Inventory of the Objects in the Art Division of the Museum at South Kensington, Arranged According to the Dates of their Acquisition. Vol I. London: Printed by George E. Eyre and William Spottiswoode for H.M.S.O., 1868, p. 14
Collection
Accession number
7702-1861

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Record createdOctober 15, 2008
Record URL
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