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Portrait of Serge Reggiani

Print
1969 (made)
Artist/Maker
Place of origin

This portrait of Serge Reggiani, an Italian-born singer, painter and actor (1922-2004), is composed entirely of the computer characters M, O, X and *. Created in 1969 by artist Jaume Estapa, it is an early example of ASCII art, a term used to refer to text based art. ASCII stands for American Standard Code for Information Interchange, which was a character coding created to enable the representation of text in computers. Early computer printers were not able to output graphical images and so characters were used instead of graphic marks.

Traditionally ASCII art is formed from any number of printable characters out of a total of 95 possibles. In this image, Estapa has employed only a small number of symbols and has overprinted to define areas of dark or shade. The alternate light grey stripes of the background were a characteristic of early computer printing paper. They were designed to make it easier to follow lines when reading printed code or wording.

Works such as this portrait were produced using an early form of impact printer, such as a daisy wheel printer. The daisy wheel printer housed a central disc off of which extended arms or 'petals' that contained raised characters. The printer would rotate to the correct character, which would then be struck by a hammer and forced onto the printer ribbon beneath, leaving a printed impression on the paper. Daisy wheel printers were noisy and could only print around 10 to 75 characters per second. By the 1980s they had been replaced by inkjet and laser printers, which were much cheaper and faster.


Object details

Categories
Object type
TitlePortrait of Serge Reggiani (assigned by artist)
Materials and techniques
Computer print-out mounted on board
Brief description
Impact print mounted on board, 'Portrait of Serge Reggiani', Jaume Estapà, 1969.
Physical description
Computer-generated portrait of Serge Reggiani composed entirely of the characters M, O, X and *. Printed on lightly striped computer paper and mounted on board.
Dimensions
  • Height: 43.5cm
  • Width: 30.3cm
Marks and inscriptions
  • 'SERGE REGGIANI' (Title in pencil in lower left side.)
  • 'Jaume Estapa 69' (Artists' name and date, in computerised text in lower left side.)
Credit line
Given by the Computer Arts Society, supported by System Simulation Ltd, London
Production
Jaume Estapa is also known as Jaime Estapa. Jaume is the Catalan version of James and Jaime is the Spanish version. The different names arose because in 1941, when Estapa was born in Barcelona, the Spanish government (under Francisco Franco) did not allow first names in Catalan. The artist was therefore baptised under the first name of 'Jaime', but because he considered himself a Catalan, even when he moved to France, he signed his works with his Catalan first name 'Jaume', by which his friends and family also knew him.
Subject depicted
Summary
This portrait of Serge Reggiani, an Italian-born singer, painter and actor (1922-2004), is composed entirely of the computer characters M, O, X and *. Created in 1969 by artist Jaume Estapa, it is an early example of ASCII art, a term used to refer to text based art. ASCII stands for American Standard Code for Information Interchange, which was a character coding created to enable the representation of text in computers. Early computer printers were not able to output graphical images and so characters were used instead of graphic marks.

Traditionally ASCII art is formed from any number of printable characters out of a total of 95 possibles. In this image, Estapa has employed only a small number of symbols and has overprinted to define areas of dark or shade. The alternate light grey stripes of the background were a characteristic of early computer printing paper. They were designed to make it easier to follow lines when reading printed code or wording.

Works such as this portrait were produced using an early form of impact printer, such as a daisy wheel printer. The daisy wheel printer housed a central disc off of which extended arms or 'petals' that contained raised characters. The printer would rotate to the correct character, which would then be struck by a hammer and forced onto the printer ribbon beneath, leaving a printed impression on the paper. Daisy wheel printers were noisy and could only print around 10 to 75 characters per second. By the 1980s they had been replaced by inkjet and laser printers, which were much cheaper and faster.
Bibliographic reference
Catalogue of Creative Computers exhibition, Gordon Maynard Gallery, Welwyn Garden City, Herts, June 2nd - June 24th, 1972.
Other number
CAS/A/0018 - Previous owner's number
Collection
Accession number
E.222-2008

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Record createdOctober 6, 2008
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