Mirror
1150-1350 (made)
| Artist/Maker | |
| Place of origin |
Hand-mirrors with handles were used in ancient China and mentioned in historical texts, but they are less frequent than other types intended to be mounted on stands and placed on dressing tables.
The scene depicted on the back of this example combines Daoist mythological elements symbolising immortality and good fortune. The two figures, holding branches of coral and lingzhi, or fungus of immortality, are celestial immortal creatures living in the heavens; the single-horned animal depicted below them is a deer, symbol of longevity and often represented with the fungus of immortality in its mouth.
The scene depicted on the back of this example combines Daoist mythological elements symbolising immortality and good fortune. The two figures, holding branches of coral and lingzhi, or fungus of immortality, are celestial immortal creatures living in the heavens; the single-horned animal depicted below them is a deer, symbol of longevity and often represented with the fungus of immortality in its mouth.
Object details
| Categories | |
| Object type | |
| Materials and techniques | Bronze |
| Brief description | Bronze mirror with handle decorated with auspicious scene, China, 12th-14th century |
| Physical description | Bronze mirror with circular shape, thick raised edge, pierced central boss and handle, decorated in the centre with two heavenly creatures wearing floating garments and holding branches of magic fungus and coral, and a single-horned animal seated on an island in the waves and gazing at a crescent moon; the clouds in the sky are ruyi-shaped. The handle has a thick raised edge and is decorated within the edge with four flutings. |
| Dimensions |
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| Styles | |
| Gallery label |
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| Credit line | Given by Miss Christobel Hardcastle |
| Subjects depicted | |
| Summary | Hand-mirrors with handles were used in ancient China and mentioned in historical texts, but they are less frequent than other types intended to be mounted on stands and placed on dressing tables. The scene depicted on the back of this example combines Daoist mythological elements symbolising immortality and good fortune. The two figures, holding branches of coral and lingzhi, or fungus of immortality, are celestial immortal creatures living in the heavens; the single-horned animal depicted below them is a deer, symbol of longevity and often represented with the fungus of immortality in its mouth. |
| Bibliographic reference | Kerr, Rose (ed.). Later Chinese bronzes. London: Victoria and Albert Museum, 1989, pp. 102-103, fig. 88. |
| Collection | |
| Accession number | FE.230-1974 |
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| Record created | October 2, 2008 |
| Record URL |
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