Image of Gallery in South Kensington
On display at V&A South Kensington
Ceramics, Room 140, Factory Ceramics

Wall Plaque

ca. 1960 (made)
Artist/Maker
Place of origin

The Arabia ceramics factory was founded in 1873 near Helsinki. It was established by the Swedish company Rorstrand to enable them to take advantage of lower duties for Russian markets, but was sold off to a Finnish company by 1916.

In the 1930s, an Art Department was founded at Arabia under the leadership of artistic director Kurt Ekholm. Though sometimes the artists contributed designs for production pieces, they also created hand-made studio ceramics. These studio ceramics were included in world exhibitions and competitions, boosting the factories' reputations and doing much to foster the international fame of Scandinavian design.

Birger Kaipiainen first joined Arabia's Art Department in 1937. This witty bird is typical of his work and was one of his favourite motifs. He crafted larger three-dimensional birds out of ceramic beads, watch faces and wire.


Object details

Categories
Object type
Materials and techniques
Earthenware with black glaze, mirror glass and black glazed 'pearls'
Brief description
Earthenware wall plaque in the shape of a bird, probably a woodcock, with black glaze, applied mirror glass and black glazed 'pearls', made by Birger Kaipiainen at the Arabia Factory, Helsinki, ca. 1960.
Physical description
Earthenware wall plaque in the shape of a bird, probably a woodcock, with black glaze, applied mirror glass and black glazed 'pearls'.
Dimensions
  • Length: 48cm
Marks and inscriptions
'KAIPIAINEN' [incised]
Subject depicted
Summary
The Arabia ceramics factory was founded in 1873 near Helsinki. It was established by the Swedish company Rorstrand to enable them to take advantage of lower duties for Russian markets, but was sold off to a Finnish company by 1916.

In the 1930s, an Art Department was founded at Arabia under the leadership of artistic director Kurt Ekholm. Though sometimes the artists contributed designs for production pieces, they also created hand-made studio ceramics. These studio ceramics were included in world exhibitions and competitions, boosting the factories' reputations and doing much to foster the international fame of Scandinavian design.

Birger Kaipiainen first joined Arabia's Art Department in 1937. This witty bird is typical of his work and was one of his favourite motifs. He crafted larger three-dimensional birds out of ceramic beads, watch faces and wire.
Bibliographic reference
Opie, Jennifer Hawkins. Scandinavia: ceramics & glass in the twentieth century. London: V&A Publications, 1989. 66 p., ill. ISBN 1851770712.
Collection
Accession number
C.261-1987

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Record createdSeptember 26, 2008
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