The Virgin adoring the Child Christ thumbnail 1
Not currently on display at the V&A

The Virgin adoring the Child Christ

Relief
ca. 1480-1490 (made)
Artist/Maker
Place of origin

This composition exists in many versions and with some variations, many of which show the Christ child on the Virgin's right. It relates to paintings by the Florentine artist Filippo Lippi (about 1406-1469). Slightly later versions, including another in the Museum (4032-1856) show God the Father without a crown. One example, now at the convent of Sant' Antonio, Chianciano, combines the later design with the same architectural surround and console as this version. The Christ Child is shown looking out, and therefore related directly to the viewer who prayed to or mediated on the image.


Object details

Category
Object type
TitleThe Virgin adoring the Child Christ (generic title)
Materials and techniques
Enamelled terracotta
Brief description
Panel relief, The Virgin adoring the Child Christ, workshop of Andrea della Robbia, Florence, ca. 1480-1490
Physical description
The relief, which has an arched top and is framed in an egg-and-tongue moulding, shows in the centre the Virgin kneeling in left profile with hands clasped in prayer, gazing down at the Child Christ who lies on a bed of grass on the left side of the relief. Above the halo of the Virgin appears a half length figure of God the Father, crowned and with raised hands, gazing downwards at the Child Christ. Round him are six winged cherubim, and below, to the left of the Virgin's head, is the Holy Ghost in the shape of a dove. The figures a re enamelled in white, with black and pale brown eyes, and the background is blue with white horizontal clouds. The grass beneath the Child is green. Below is a console with egg-and-tongue and laurel leaf mouldings and a single four winged cherub head.
Dimensions
  • Height: 43.18cm
  • Width: 36.19cm
Object history
Purchased from the Gigli-Campana collection, £40.
Historical context
This composition exists in many versions and with some variations, many of which show the Christ child on the Virgin's right. It relates to paintings by the Florentine artist Filippo Lippi (about 1406-1469). Slightly later versions, including another in the Museum (4032-1856) show God the Father without a crown. One example, now at the convent of Sant' Antonio, Chianciano, combines the later design with the same architectural surround and console as this version. The Christ Child is shown looking out, and therefore related directly to the viewer who prayed to or mediated on the image.
Summary
This composition exists in many versions and with some variations, many of which show the Christ child on the Virgin's right. It relates to paintings by the Florentine artist Filippo Lippi (about 1406-1469). Slightly later versions, including another in the Museum (4032-1856) show God the Father without a crown. One example, now at the convent of Sant' Antonio, Chianciano, combines the later design with the same architectural surround and console as this version. The Christ Child is shown looking out, and therefore related directly to the viewer who prayed to or mediated on the image.
Bibliographic references
  • Inventory of Art Objects Acquired in the Year 1861 In: Inventory of the Objects in the Art Division of the Museum at South Kensington, Arranged According to the Dates of their Acquisition. Vol I. London: Printed by George E. Eyre and William Spottiswoode for H.M.S.O., 1868, p. 13
  • Maclagan, Eric and Longhurst, Margaret H. Catalogue of Italian Sculpture. Text. London: Victoria and Albert Museum, 1932, p. 53
  • Pope-Hennessy, John. Catalogue of Italian Sculpture in the Victoria and Albert Museum. Volume I: Text. Eighth to Fifteenth Century. London: Her Majesty's Stationery Office, 1964, pp. 220, 221
  • Gentilini, Giancarlo. ed. I Della Robbia, La Scultura invetriata nel Rinascimento. Florence: 1992, p. 175
Collection
Accession number
7596-1861

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Record createdSeptember 25, 2008
Record URL
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