SS. Peter and Paul in a Landscape
Engraving
after 1527 (made)
after 1527 (made)
Artist/Maker | |
Place of origin |
Like his contemporary, Albrecht Dürer, Lucas van Leyden was internationally recognised within his lifetime and beyond. Giorgio Vasari, writing in 1568, praised Leyden's fine engraving style and his use of perspective. Fine quality early impressions of his prints are rare. Copper printing plates are capable of producing only one or two hundred fine impressions before the plate starts to wear down, especially with a fine line engraving style as Leyden's. Such was Leyden's reputation and his prints so sought by collectors that his original printing plates were kept and impressions taken from them long after his death, resulting in a larger number of surviving poor and worn impressions than fine ones. Numerous copies were also made from his originals, which satisfied demand when originals were not available or affordable and for collectors of images interested more in subject matter.
Object details
Categories | |
Object type | |
Title | SS. Peter and Paul in a Landscape (generic title) |
Materials and techniques | Engraving in ink on paper |
Brief description | Engraving, SS. Peter and Paul in a Landscape, copy after Lucas Hugensz van Leyden (called Lucas Jacobsz). |
Physical description | St Peter and St Paul sit against a backdrop of a landscape with trees and rolling hills. St Peter sits to the left and is holding a key. St Paul is turning the page of a book, his right foot on a sword which is lying on the ground. The two are in discussion. Peter has short hair and beard, and wears a cloak over a buttoned coat, while Paul has short hair and long beard and wears a long robe. |
Dimensions |
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Style | |
Production type | Copy |
Marks and inscriptions |
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Subjects depicted | |
Literary reference | Galatians 2:11-14 |
Summary | Like his contemporary, Albrecht Dürer, Lucas van Leyden was internationally recognised within his lifetime and beyond. Giorgio Vasari, writing in 1568, praised Leyden's fine engraving style and his use of perspective. Fine quality early impressions of his prints are rare. Copper printing plates are capable of producing only one or two hundred fine impressions before the plate starts to wear down, especially with a fine line engraving style as Leyden's. Such was Leyden's reputation and his prints so sought by collectors that his original printing plates were kept and impressions taken from them long after his death, resulting in a larger number of surviving poor and worn impressions than fine ones. Numerous copies were also made from his originals, which satisfied demand when originals were not available or affordable and for collectors of images interested more in subject matter. |
Associated object | E.788-1885 (Version) |
Bibliographic references |
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Other number | Bartsch 106 |
Collection | |
Accession number | E.803-1885 |
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Record created | September 24, 2008 |
Record URL |
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