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St. Simon

  • Object:

    Engraving

  • Place of origin:

    Netherlands (possibly, made)

  • Date:

    after 1510 (made)

  • Artist/Maker:

    Unknown

  • Materials and Techniques:

    Engraving in ink on paper

  • Museum number:

    25893:8

  • Gallery location:

    Prints & Drawings Study Room, level E, case I, shelf 14, box C

Like his contemporary, Albrecht Dürer, Lucas van Leyden was internationally recognised within his lifetime and beyond. Giorgio Vasari, writing in 1568, praised Leyden's fine engraving style and his use of perspective. Fine quality early impressions of his prints are rare. Copper printing plates are capable of producing only one or two hundred fine impressions before the plate starts to wear down, especially with a fine line engraving style as Leyden's. Such was Leyden's reputation and his prints so sought by collectors that his original printing plates were kept and impressions taken from them long after his death, resulting in a larger number of surviving poor and worn impressions than fine ones. Numerous copies were also made from his originals, which satisfied demand when originals were not available or affordable and for collectors of images interested more in subject matter.

Physical description

St Simon stands facing front and looking towards the left. St Simon stands facing front and looking towards the left. He has short curly hair and straggly beard, a large halo, and holds a long serrated saw in his right hand. He wears a tunic, buttoned coat and long cloak.

Place of Origin

Netherlands (possibly, made)

Date

after 1510 (made)

Artist/maker

Unknown

Materials and Techniques

Engraving in ink on paper

Marks and inscriptions

L
Artist initial inscribed on plate, bottom right

Dimensions

Height: 11.5 cm image border, Width: 7.1 cm image border, Height: 12.2 cm page cropped to, Width: 8.2 cm page cropped to, Height: 28.2 cm card backing, Width: 22.7 cm card backing

Descriptive line

Engraving, St. Simon, from the series of fourteen prints of Christ and the Apostles, copy after Lucas Hugensz van Leyden (called Lucas Jacobsz).

Bibliographic References (Citation, Note/Abstract, NAL no)

Bartsch, Adam von. Le Peintre Graveur. Leipzig, J.A. Barth, 1854-1876.
The New Hollstein: Dutch & Flemish etchings, engravings and woodcuts, 1450-1700. Roosendaal. Koninklijke Van Poll in cooperation with the Rijksprentenkabinet, Rijksmuseum, Amsterdam, 1993-
Cornelis, Bart and Jan Piet Filedt Kok. The taste for Lucas van Leyden prints. In: Simiolus - Netherlands Quarterly for the History of Art. 26: 1/2 (1998).

Materials

Ink; Paper

Techniques

Engraving

Subjects depicted

Halo; Cloak; Tunic; Coat; Saw

Categories

Prints; Christianity

Production Type

Copy

Collection

Prints, Drawings & Paintings Collection

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