Engraving
1510 (made)
Artist/Maker | |
Place of origin |
Like his contemporary, Albrecht Dürer, Lucas van Leyden was internationally recognised within his lifetime and beyond. Giorgio Vasari, writing in 1568, praised Leyden's fine engraving style and his use of perspective. Fine quality early impressions of his prints are rare. Copper printing plates are capable of producing only one or two hundred fine impressions before the plate starts to wear down, especially with a fine line engraving style as Leyden's. Such was Leyden's reputation and his prints so sought by collectors that his original printing plates were kept and impressions taken from them long after his death, resulting in a larger number of surviving poor and worn impressions than fine ones. Numerous copies were also made from his originals, which satisfied demand when originals were not available or affordable and for collectors of images interested more in subject matter.
Object details
Categories | |
Object type | |
Materials and techniques | Engraving in ink on paper |
Brief description | Engraving of Adam and Eve after the expulsion of Paradise, Lucas Hugensz van Leyden (called Lucas Jacobsz); 1510. |
Physical description | Adam and Eve, now clothed, leave paradise. Adam is elderly with a white beard and long hair and is carrying a spade. Eve, also with long flowing hair, is carrying a baby. Adam wears animal skin, whereas Eve has a draping long dress, which is rendered with folds in the 'spiky' gothic mannner. There is a pollarded tree to the right and the ground is generally rocky with small clumps of grass and foliage. A small plaque lower right has the artist's monogram and date. |
Dimensions |
|
Style | |
Marks and inscriptions | L 1510 (On plaque in image lower right) |
Subjects depicted | |
Literary reference | Genesis 3:8-24 |
Summary | Like his contemporary, Albrecht Dürer, Lucas van Leyden was internationally recognised within his lifetime and beyond. Giorgio Vasari, writing in 1568, praised Leyden's fine engraving style and his use of perspective. Fine quality early impressions of his prints are rare. Copper printing plates are capable of producing only one or two hundred fine impressions before the plate starts to wear down, especially with a fine line engraving style as Leyden's. Such was Leyden's reputation and his prints so sought by collectors that his original printing plates were kept and impressions taken from them long after his death, resulting in a larger number of surviving poor and worn impressions than fine ones. Numerous copies were also made from his originals, which satisfied demand when originals were not available or affordable and for collectors of images interested more in subject matter. |
Associated object | E.755-1885 (Copy) |
Bibliographic references |
|
Other number | Bartsch 11 |
Collection | |
Accession number | 28920A |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
Record created | September 18, 2008 |
Record URL |
Download as: JSON