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Fragments from a large tazza

Fragment
050 to 200 (made)
Artist/Maker
Place of origin

The art of engraving gemstones can be traced back to ancient Greece in the 8th century BC and earlier. Techniques passed down to the Egyptians and then to the Romans. There were major revivals of interest in engraved gems in Europe during the Byzantine era, the Middle Ages, the Renaissance, and again in the 18th and 19th centuries. These two fragments, the remains of a tazza, are Roman and probably date from the first hundred years of the Christian era. A tazza, literally translated as 'cup' in Italian, is a shallow dish, sometimes supported on a central stem, sometimes just with a low foot. From their dimensions we can deduce that these two fragments must have once formed part of a large tazza cut from a single piece of agate. This would have been a desirable, high-status possession. It could have been used for serving food from, or just as decoration. Some agate tazzi had elaborate carved scenes and decoration in the centre of the bowl, and one celebrated example to survive intact is the Tazza Farnese in the Museo Archeologico Nazionale, Naples.


Object details

Categories
Object type
Parts
This object consists of 2 parts.

  • Fragment
  • Fragment
TitleFragments from a large tazza (generic title)
Materials and techniques
Engraved gemstone
Brief description
Fragments of large tazza, irregular agate, Italy, 50-200 CE
Physical description
Agate fragment of a tazza.
Dimensions
  • Length: 17.78cm
  • Width: 9.2cm
Style
Object history
Bought from John Webb (1799-1880). Webb was a London dealer and collector who had a long and mutually fruitful relationship with the Museum. He advised on valuations and acted as agent on behalf of the Museum. From the 1850s until the late 1870s he sold numbers of highly important objects to the Museum, many of which are now among the 'star' objects of the collections. In 1867 he lent the Museum a large number of objects, including the present one (Loan no. 100), from his stock, charging a rental of 5% of their estimated value. Most of these objects had been purchased by the Museum by 1873, and 11 were gem-engravings acquired for what is now the Sculpture collection. On his death Webb left money to the Museum in the form of a trust fund to be used for the purchase of objects.
Production
Antique Roman
Summary
The art of engraving gemstones can be traced back to ancient Greece in the 8th century BC and earlier. Techniques passed down to the Egyptians and then to the Romans. There were major revivals of interest in engraved gems in Europe during the Byzantine era, the Middle Ages, the Renaissance, and again in the 18th and 19th centuries. These two fragments, the remains of a tazza, are Roman and probably date from the first hundred years of the Christian era. A tazza, literally translated as 'cup' in Italian, is a shallow dish, sometimes supported on a central stem, sometimes just with a low foot. From their dimensions we can deduce that these two fragments must have once formed part of a large tazza cut from a single piece of agate. This would have been a desirable, high-status possession. It could have been used for serving food from, or just as decoration. Some agate tazzi had elaborate carved scenes and decoration in the centre of the bowl, and one celebrated example to survive intact is the Tazza Farnese in the Museo Archeologico Nazionale, Naples.
Bibliographic reference
List of Objects in the Art Division, South Kensington, Acquired During the Year 1874, Arranged According to the Dates of Acquisition. London: Printed by George E. Eyre and William Spottiswoode for H.M.S.O., p. 19
Collection
Accession number
255-1874

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Record createdSeptember 16, 2008
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