Not currently on display at the V&A

Bed Cover

ca. 1838 (made)
Artist/Maker
Place Of Origin

At the start of the 19th century, the British market was flooded with a new range of printed cottons. They were used for clothing and furnishings, including the creation of light, bright coverings for the bedroom. Printed textile panels became popular. Many celebrated military victories and coronations. Some were associated with particular causes. Women began to include such panels in their patchwork, revealing an engagement with politics and public debates.

The cotton panel at the centre of this bedcover was printed to celebrate the coronation of Queen Victoria in 1838. It shows the moment in Westminster Abbey when the crown was placed on her head. The youth and charm of the 19-year-old Victoria captured the public imagination, and fabrics such as this were a popular way of declaring patriotism and loyalty within the home.


object details
Categories
Object Type
Materials and Techniques
Roller-printed cotton, quilted patchwork, lined with cotton
Brief Description
Quilted patchwork bed cover of roller-printed cotton, England, ca. 1838
Physical Description
Quilted patchwork bed cover of roller-printed cottons. In the centre is a square panel from a commemorative textile showing two repeats of the coronation of Queen Victoria. The cotton includes the royal coat of arms at the head of each repeat, plus representations of the rose, thistle and shamrock. The panel is surrounded by a series of seven wide patchwork borders of printed cottons dating from the first half of the nineteenth century. The reverse is cream cotton. Quilted in running stitch in cotton thread with a pattern of interlacing circles, leaves, chevrons and other geometric shapes. Lined with cotton.
Dimensions
  • Height: 271.5cm
  • Width: 274cm
  • Weight: 3.020kg
Gallery Label
Bedcover with Queen Victoria's coronation England About 1838 The cotton panel at the centre of this bedcover was printed to celebrate the coronation of Queen Victoria in 1838. It shows the moment in Westminster Abbey when the crown was placed on her head. The youth and charm of the 19-year-old Victoria captured the public imagination, and fabrics such as this were a popular way of declaring patriotism and loyalty within the home. Cotton Given by F.N. Armstrong V&A: T.196-1965(20th March 2010)
Credit line
Given by Miss F. N. Armstrong
Object history
The donor came from Yokall, Burton-on-Trent. She inherited the quilt from her aunt and believed that it may have been kept in the family.



Historical significance: From the time of her coronation, the image of Queen Victoria captured the public imagination. Her portrait could be found throughout the country: in magazines and advertisements, and on commemorative textiles such as this one. Victoria’s youth (she was crowned at the age of 19) and charm were perceived by many as a new start for the monarchy. After witnessing the throngs of people that turned out for her formal procession, Queen Victoria wrote:

'...many as there were the day I went to the City, it was nothing – nothing, to the multitudes, the millions, of my loyal subjects who were assembled in every spot to witness the Procession. Their good-humour and excessive loyalty was beyond everything and I really cannot say how proud I feel to be the Queen of such a Nation.'
Historical context
The textile at the centre of this quilt celebrates the coronation of Queen Victoria that took place in 1838. It shows the scene in Westminster Abbey when the crown was placed on her head. Commemorative prints were particularly popular in the first quarter of the nineteenth century, but as this example shows, printers continued to view royal events as lucrative subjects for textiles. As Linda Parry has shown, the design is loosely based on an original engraving by the lithographic artist G.E. Maddeley, but the image has been distorted and simplified to suit the printing process. The reduction in the quality of both design and printing suggests that it was made primarily for export, so it is interesting to note that a second quilt with this textile exists in America, and forms part of the collections of the Munson-Williams-Proctor Arts Institute in Utica, New York State.
Subjects depicted
Summary
At the start of the 19th century, the British market was flooded with a new range of printed cottons. They were used for clothing and furnishings, including the creation of light, bright coverings for the bedroom. Printed textile panels became popular. Many celebrated military victories and coronations. Some were associated with particular causes. Women began to include such panels in their patchwork, revealing an engagement with politics and public debates.



The cotton panel at the centre of this bedcover was printed to celebrate the coronation of Queen Victoria in 1838. It shows the moment in Westminster Abbey when the crown was placed on her head. The youth and charm of the 19-year-old Victoria captured the public imagination, and fabrics such as this were a popular way of declaring patriotism and loyalty within the home.
Bibliographic Reference
Sue Prichard (ed.), Quilts, 1700-2010 : hidden histories, untold stories, London: V&A, 201026Linda Parry, 'Complexity and context: nineteenth-century British Quilts', in Sue Prichard (ed.), Quilts 1700-2010 (London: V&A, 2010) p.76
Collection
Accession Number
T.196-1965

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record createdAugust 18, 2008
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