Not on display

An Old English Homestead

Oil Painting
1854 (painted)
Artist/Maker
Place of origin

This view probably depicts the countryside near the artist's country home in Abinger, Kent. A critic praised its 'infinity of leafiness, variety of depths, air and multiplicity of local tintings'. He recognised, however, that it was 'minute, delicate, and almost too feminine in touch'.

Object details

Categories
Object type
TitleAn Old English Homestead (assigned by artist)
Materials and techniques
oil on canvas
Brief description
'An Old English Homestead', oil on canvas by Richard Redgrave, Britain; signed and dated 1854.
Physical description
Landscape, oil on canvas.
Dimensions
  • Estimate height: 103.5cm
  • Estimate width: 137.1cm
  • Frame height: 138cm
  • Frame width: 172.5cm
Dimensions taken from Catalogue of British Oil Paintings 1820-1860, Ronald Parkinson, Victoria and Albert Museum, London: HMSO, 1990
Styles
Marks and inscriptions
'Richd Redgrave 1854' (Signed and dated by the artist in red, lower right)
Credit line
Given by Mrs Richard Redgrave
Object history
Given by Mrs Richard Redgrave, 1889
Historical context
Redgrave had one of the most varied and interesting careers of any British artist, and as such is represented in more than one part of this exhibition. This picture shows him as an accomplished painter of landscapes, and was considered the best landscape in the 1854 Royal Academy exhibition. In the 1850s, with his several responsibilities as art teacher, curator, and administrator, he sought more peaceful refuge during the summer months with his wife and children at their home in the country, in Abinger, Kent. Nearby, in the adjacent county of Surrey close to where his father was living, he painted this view. It was much admired by critics for its visual truth: 'he renders truly what is before him, no common merit that he is not attempting to improve on nature'. Redgrave was able to relate a great deal of minute detail without, as sometimes happened in Pre-Raphaelite works, the painting being overwhelmed by it.
Subjects depicted
Summary
This view probably depicts the countryside near the artist's country home in Abinger, Kent. A critic praised its 'infinity of leafiness, variety of depths, air and multiplicity of local tintings'. He recognised, however, that it was 'minute, delicate, and almost too feminine in touch'.
Bibliographic references
  • Catalogue of British Oil Paintings 1820-1860, Ronald Parkinson, Victoria and Albert Museum, London: HMSO, 1990, pp. 247-48
  • Evans, Mark et al. Vikutoria & Arubāto Bijutsukan-zō : eikoku romanshugi kaigaten = The Romantic tradition in British painting, 1800-1950 : masterpieces from the Victoria and Albert Museum. Japan : Brain Trust, 2002
Collection
Accession number
183-1889

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdDecember 15, 1999
Record URL
Download as: JSONIIIF Manifest