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Novitiate Mendicants

Oil Painting
ca. 1837 (painted)
Artist/Maker
Place of origin

Richard Rothwell RHA (1800-1868) began his artistic career as a portrait painter in Dublin, Eire. He then moved to London and became studio assistant to Sir Thomas Lawrence, finishing several of Lawrence's works after the his death in 1830. By the early 1840s Rothwell had established a good practice of his own. He travelled several times to Europe and twice to the USA and described himself as having 'the dream of a posthumous fame'.

This painting is a particularly fine example of Rothwell's work in the field of genre painting. Its sentiment and colouring were admired by contemporary audiences but the way in which the boy and girl seem to be playing at begging rather than genuinely driven by necessity is perhaps less appealing to today's viewer. When the image was engraved for the Art Journal in 1872, the accompanying text referred to this ambiguity in the subject matter, a circumstance which may have been intended by the artist.

Object details

Category
Object type
TitleNovitiate Mendicants (assigned by artist)
Materials and techniques
oil on canvas
Brief description
Oil painting on canvas entitled 'Novitiate Mendicants' by Richard Rothwell R.H.A. Great Britain, ca. 1837.
Physical description
A young boy and girl stand back to back in a country setting. The girl pulls at her skirt with her left hand and holds her right hand up to her face. Both children look out of the painting toward the viewer.
Dimensions
  • Estimate height: 92.6cm
  • Estimate width: 73.6cm
  • Framed height: 120cm
  • Framed width: 90cm
Dimensions taken from Catalogue of British Oil Paintings 1820-1860, Ronald Parkinson, Victoria and Albert Museum, London: HMSO, 1990
Credit line
Given by John Sheepshanks, 1857
Object history
Given by John Sheepshanks, 1857
Subjects depicted
Summary
Richard Rothwell RHA (1800-1868) began his artistic career as a portrait painter in Dublin, Eire. He then moved to London and became studio assistant to Sir Thomas Lawrence, finishing several of Lawrence's works after the his death in 1830. By the early 1840s Rothwell had established a good practice of his own. He travelled several times to Europe and twice to the USA and described himself as having 'the dream of a posthumous fame'.

This painting is a particularly fine example of Rothwell's work in the field of genre painting. Its sentiment and colouring were admired by contemporary audiences but the way in which the boy and girl seem to be playing at begging rather than genuinely driven by necessity is perhaps less appealing to today's viewer. When the image was engraved for the Art Journal in 1872, the accompanying text referred to this ambiguity in the subject matter, a circumstance which may have been intended by the artist.
Associated object
E.319-1950 (Study for)
Bibliographic reference
Catalogue of British Oil Paintings 1820-1860, Ronald Parkinson, Victoria and Albert Museum, London: HMSO, 1990, pp. 254-255
Collection
Accession number
FA.178[O]

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Record createdDecember 15, 1999
Record URL
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