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Dagger and sheath

Dagger and Sheath
ca. 1360-1400 (made)
Artist/Maker
Place of origin

This is ivory dagger and sheath are made in about 1360-1400 in Northern Italy, probably Venice. The dagger, surmounted by a crouching lion, is carved on the one side with a winged dragon, on the other with a centaur playing a lute. The front of the sheath is decorated with a bird and a lion, above, a man kneels before a seated female figure. The mounts are of later date.
Elephant and walrus ivory and whalebone are prepared for carving by removing the outer layer, known as the ‘husk’ or ‘cementum’. The tusk is then sawn into the appropriate shape for a figure or relief. The carver uses small knives, chisels, gouges and files, very similar to those used for wood carving. After polishing, ivory can be stained or partially painted or gilded.

The function of such daggers is unclear. Elaborate and fragile handles were impractical for daggers, and it seems certain that they were never intended for use as such. Nevertheless, the fact that one face of the present sheath was left uncarved suggests that it was meant to be worn - a degree of practicality is taken into account. Daggers, hung at the belt, were an important part of male display.


Object details

Categories
Object type
Parts
This object consists of 4 parts.

  • Dagger and Sheath
  • Fragment
  • Fragment
  • Dagger and Sheath
TitleDagger and sheath (generic title)
Materials and techniques
Carved elephant ivory, steel, pigment and gilding
Brief description
Dagger and sheath, ivory with traces of gilding, North Italy (probably Venice), ca. 1360-1400
Physical description
The dagger and sheath of ivory, the pommel formed by a lion in full relief, the handle and sheath carved with monsters. The handle has imagery in three registers. At the top sits a lion. The middle, main register, depicts on one side a grotesque beast with the head of a dragon and the lower half of an ostrich-like bird; on the other side is a centaur playing a lute. The lower register depicts pairs of animals: on one side, a dog chases a rabbit, while on the other, two dogs run towards one another. The imagery is linked via sprouting vegetation that runs up both sides of the dagger handle, and covers the back of the lion on the top.
Dimensions
  • Total length: 37.5cm
  • Of dagger length: 35.2cm
  • Of sheath length: 26.2cm
  • Max depth: 2.1cm
Object history
In the possession of John Webb, London, by 1862 (London 1862, cat. no. 150). Bought from the Webb Collection in 1866, for £140.
An apparantly similar dagger handle was in the Magniac Collection (sale, Christie's, July, 1892, No. 253).
Subjects depicted
Summary
This is ivory dagger and sheath are made in about 1360-1400 in Northern Italy, probably Venice. The dagger, surmounted by a crouching lion, is carved on the one side with a winged dragon, on the other with a centaur playing a lute. The front of the sheath is decorated with a bird and a lion, above, a man kneels before a seated female figure. The mounts are of later date.
Elephant and walrus ivory and whalebone are prepared for carving by removing the outer layer, known as the ‘husk’ or ‘cementum’. The tusk is then sawn into the appropriate shape for a figure or relief. The carver uses small knives, chisels, gouges and files, very similar to those used for wood carving. After polishing, ivory can be stained or partially painted or gilded.

The function of such daggers is unclear. Elaborate and fragile handles were impractical for daggers, and it seems certain that they were never intended for use as such. Nevertheless, the fact that one face of the present sheath was left uncarved suggests that it was meant to be worn - a degree of practicality is taken into account. Daggers, hung at the belt, were an important part of male display.
Bibliographic references
  • Inventory of Art Objects acquired in the Year 1866. Inventory of the Objects in the Art Division of the Museum at South Kensington, arranged According to the Dates of their Acquisition. Vol. 1. London : Printed by George E. Eyre and William Spottiswoode for H.M.S.O., 1868, p. 16
  • Longhurst, Margaret H. Catalogue of Carvings in Ivory. London: Pub. under the authority of the Board of Education, 1927-1929, Part II, p. 69
  • Maskell, W., A Description of the Ivories Ancient and Medieval in the South Kensington Museum, London, 1872 pp. 66-67
  • Williamson, Paul and Davies, Glyn, Medieval Ivory Carvings, 1200-1550, (in 2 parts), V&A Publishing, Victoria and Albert Museum, London, 2014 part II, pp. 648-651
  • Williamson, Paul and Davies, Glyn, Medieval Ivory Carvings, 1200-1550, (in 2 parts), V&A Publishing, Victoria and Albert Museum, London, 2014, part II, pp. 648-651, cat. no. 226
Collection
Accession number
147:1 to 4-1866

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Record createdAugust 8, 2008
Record URL
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