Trousers thumbnail 1
Not currently on display at the V&A

Trousers

ca. 1954 (made)
Artist/Maker
Place of origin

These trousers and the shirt (T.673-1995) were worn and given by John Hardy. They were exhibited in the V&A's Streetstyle exhibition of 1994 as a gay man's outfit worn in the mid-1950s. The donor worked in the shop 'Vince', and was a photographic model for its mail-order catalogue before becoming a successful full-time model.

Opened in Newburgh Street in 1954 by Bill Green, 'Vince' was the first men's boutique opened in the Carnaby Street area. The distinctive merchandise was influenced by continental European styling and often ahead of its time. The clothes were designed to enhance a muscular or athletic male body, with closely fitting trousers and short-sleeved shirts. This attracted a certain type of clientele, which the actor John Gielgud described as "Chelsea homosexuals, artists and theatricals, and muscle boys" (Nik Cohn, Today There Are No Gentlemen, London, 1971).


Object details

Categories
Object type
Materials and techniques
Denim
Brief description
Jeans, grey striped cotton, Vince, Great Britain, ca. 1954
Physical description
Grey striped cotton jeans.
Dimensions
  • Weight: 0.56kg
Credit line
Given by John Hardy
Object history
Registered File number 1994/966, Streetstyle exhibition 1994-1995, in the exhibition it was part of an outfit called 'Gay Style UK mid-1950s' (includes the shirt T.673-1995).

Worn by John Hardy.
Summary
These trousers and the shirt (T.673-1995) were worn and given by John Hardy. They were exhibited in the V&A's Streetstyle exhibition of 1994 as a gay man's outfit worn in the mid-1950s. The donor worked in the shop 'Vince', and was a photographic model for its mail-order catalogue before becoming a successful full-time model.

Opened in Newburgh Street in 1954 by Bill Green, 'Vince' was the first men's boutique opened in the Carnaby Street area. The distinctive merchandise was influenced by continental European styling and often ahead of its time. The clothes were designed to enhance a muscular or athletic male body, with closely fitting trousers and short-sleeved shirts. This attracted a certain type of clientele, which the actor John Gielgud described as "Chelsea homosexuals, artists and theatricals, and muscle boys" (Nik Cohn, Today There Are No Gentlemen, London, 1971).
Bibliographic reference
Surfers, Soulies, Skinheads & Skaters : Subcultural Style from the Forties to the Nineties Described in the exhibition publication, part of "Gay style UK mid-1950s" outfit.
Collection
Accession number
T.465-1994

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Record createdAugust 5, 2008
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