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Photograph - Alfred Tennyson; The Dirty Monk
  • Alfred Tennyson
    Julia Margaret Cameron, born 1815 - died 1879
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Alfred Tennyson; The Dirty Monk

  • Object:

    Photograph

  • Place of origin:

    England, Great Britain (photographed)

  • Date:

    May 1865 (Photographed)

  • Artist/Maker:

    Julia Margaret Cameron, born 1815 - died 1879 (photographer)

  • Materials and Techniques:

    albumen print from wet collodion glass negative

  • Credit Line:

    Acquired from Window & Grove, 1963

  • Museum number:

    1143-1963

  • Gallery location:

    Prints & Drawings Study Room, level H, case X, shelf 311, box E

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Julia Margaret Cameron's career as a photographer began in 1863 when her daughter gave her a camera. Cameron began photographing everyone in sight. Because of the newness of photography as a practice, she was free to make her own rules and not be bound to convention. The kinds of images being made at the time did not interest Cameron. She was interested in capturing another kind of photographic truth. Not one dependent on accuracy of sharp detail, but one that depicted the emotional state of her sitter.

Cameron liked the soft focus portraits and the streak marks on her negatives, choosing to work with these irregularities, making them part of her pictures. Although at the time Cameron was seen as an unconventional and experimental photographer, her images have a solid place in the history of photography.

Most of Cameron's photographs are portraits. She used members of her family as sitters and made photographs than concentrated on their faces. She was interested in conveying their natural beauty, often asking female sitters to let down their hair so as to show them in a way that they were not accustomed to presenting themselves. In addition to making stunning and evocative portraits both of male and female subjects, Cameron also staged tableaux and posed her sitters in situations that simulated allegorical paintings.

Through the acquaintance of the author Sir Henry Taylor (who was a neighbour) Cameron was introduced to poet laureate Alfred Tennyson, who would remain a life-long friend, public supporter and a frequently photographed subject. In 1874, Tennyson commissioned Cameron to create the first ever photographic illustrations for his collection Idylls of the King and Other Poems, based on the legend of King Arthur.

Physical description

A photograph of a bearded man (Alfred Tennyson) shown in 3/4 view, in a dark cloak, holding a book in his left hand.

Place of Origin

England, Great Britain (photographed)

Date

May 1865 (Photographed)

Artist/maker

Julia Margaret Cameron, born 1815 - died 1879 (photographer)

Materials and Techniques

albumen print from wet collodion glass negative

Dimensions

height: 25.2 cm image, width: 20.1 cm image

Object history note

Gift[?] of Window & Grove, 1963

Descriptive line

Photograph by Julia Margaret Cameron, 'Alfred Tennyson' ('The Dirty Monk'), albumen print, May 1865

Labels and date

Tennyson (1809-1892), appointed Poet Laureate in 1850, was a major source of inspiration for artists, and in particular for Julia Margaret Cameron, who lived near him on the Isle of Wight and made at least seven portraits. This was christened by its sitter 'The Dirty Monk'. Mrs Cameron later used it as the frontispiece to her edition of Tennyson's Idylls of the King, from which a plate is also shown in this exhibition. The portrait was, for her, both the 'Immortal' poet - whom she had probably known since 1850 - and also 'a fit representation of Isaiah or of Jeremiah'. Her work habitually refers both to the Victorian present and the legendary, mythic and biblical pasts.

Materials

Photographic paper

Techniques

Albumen process

Subjects depicted

Portraits; Monks; Poets; Tennyson, Alfred

Categories

Portraits; Photographs

Collection code

PDP

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Qr_O16475
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