The Old Shepherd's Chief Mourner
Oil Painting
1837 (painted)
1837 (painted)
Artist/Maker | |
Place of origin |
Object Type
Oil paintings with sentimental scenes of animals became popular with collectors such as John Sheepshanks and the Rev. Chauncy Hare Townshend, as well as with the Victorian public in general.
Subjects Depicted
Landseer's choice of subject illustrates the Victorian obsession with the trappings of death, combined here with his speciality, the accurate and almost anthropomorphic representation of dogs and other animals. Its mixture of pathos and realism appealed to all sections of society, and the critic Ruskin praised the fine technique and the subtle choice of details. This painting was exhibited at the Royal Academy in 1837 and proved a great success, particularly as an engraving after this picture was published and sold widely in the following year.
People
Edwin Henry Landseer (1802-1873) was a child prodigy, exhibiting some drawings at the Royal Academy when he was only 13. From an early age he was a frequent visitor to the menagerie in Exeter Change in the Strand, London, where he drew lions, monkeys and other animals. Animals remained the main subjects of his art. Queen Victoria collected his paintings, as did John Sheepshanks. The two biggest collections of his work are in the Royal Collection and here in the Victoria and Albert Museum.
Oil paintings with sentimental scenes of animals became popular with collectors such as John Sheepshanks and the Rev. Chauncy Hare Townshend, as well as with the Victorian public in general.
Subjects Depicted
Landseer's choice of subject illustrates the Victorian obsession with the trappings of death, combined here with his speciality, the accurate and almost anthropomorphic representation of dogs and other animals. Its mixture of pathos and realism appealed to all sections of society, and the critic Ruskin praised the fine technique and the subtle choice of details. This painting was exhibited at the Royal Academy in 1837 and proved a great success, particularly as an engraving after this picture was published and sold widely in the following year.
People
Edwin Henry Landseer (1802-1873) was a child prodigy, exhibiting some drawings at the Royal Academy when he was only 13. From an early age he was a frequent visitor to the menagerie in Exeter Change in the Strand, London, where he drew lions, monkeys and other animals. Animals remained the main subjects of his art. Queen Victoria collected his paintings, as did John Sheepshanks. The two biggest collections of his work are in the Royal Collection and here in the Victoria and Albert Museum.
Object details
Categories | |
Object type | |
Title | The Old Shepherd's Chief Mourner (popular title) |
Materials and techniques | Oil on canvas |
Brief description | Oil painting entitled 'The Old Shepherd's Chief Mourner' by Edwin Henry Landseer. Great Britain, 1837. |
Physical description | In a sparsely furnished room, a dog rests its head on the coffin of its master, the shepherd. |
Dimensions |
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Style | |
Gallery label |
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Credit line | Given by John Sheepshanks, 1857 |
Object history | Given by John Sheepshanks, 1857. By Sir Edwin Henry Landseer RA (born in London, 1802, died there in 1873) Exhibited at the Royal Academy 1837 |
Subjects depicted | |
Summary | Object Type Oil paintings with sentimental scenes of animals became popular with collectors such as John Sheepshanks and the Rev. Chauncy Hare Townshend, as well as with the Victorian public in general. Subjects Depicted Landseer's choice of subject illustrates the Victorian obsession with the trappings of death, combined here with his speciality, the accurate and almost anthropomorphic representation of dogs and other animals. Its mixture of pathos and realism appealed to all sections of society, and the critic Ruskin praised the fine technique and the subtle choice of details. This painting was exhibited at the Royal Academy in 1837 and proved a great success, particularly as an engraving after this picture was published and sold widely in the following year. People Edwin Henry Landseer (1802-1873) was a child prodigy, exhibiting some drawings at the Royal Academy when he was only 13. From an early age he was a frequent visitor to the menagerie in Exeter Change in the Strand, London, where he drew lions, monkeys and other animals. Animals remained the main subjects of his art. Queen Victoria collected his paintings, as did John Sheepshanks. The two biggest collections of his work are in the Royal Collection and here in the Victoria and Albert Museum. |
Bibliographic references |
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Collection | |
Accession number | FA.93[O] |
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Record created | December 15, 1999 |
Record URL |
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