Virgin and Child with two angels thumbnail 1
Virgin and Child with two angels thumbnail 2
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Image of Gallery in South Kensington
On display at V&A South Kensington
Medieval & Renaissance, Room 10

Virgin and Child with two angels

Relief
1315-36 (carved)
Artist/Maker
Place of origin

This relief bears the arms of one of the leading families of Pisa, the Orlandini. While other monuments in this display were paid for by towns or churches, this was probably a private commission. Artists at this period travelled widely, and this sculptor also worked in Spain.

The relief is the work of Lupo di Francesco, a Pisan sculptor who was probably also responsible for the carvings on the pulpit in the church of San Michele in Borgo, and from 1315 was the head of the workshop at Pisa Cathedral. The stemma on the left (three rams with a label of three points in chief) is that of the family of Orlandini, and recurs in San Francesco at Pisa.


Object details

Categories
Object type
TitleVirgin and Child with two angels (generic title)
Materials and techniques
Carved marble in high relief
Brief description
Panel-relief, marble, The Virgin and Child with Two Angels, by Lupo di Francesco, Italy (Pisa), ca. 1315-36
Physical description
Virgin and Child with Two Angels, carved marble relief. The Virgin, on a carved seat, faces to the right with head in right profile, holding the standing Child with her left hand. At each side stands an angel. A coat of arms is on the left below.
Dimensions
  • Height: 71cm
  • Width: 82.6cm
  • Depth: 13.5cm
  • Including pallet weight: 168kg
Measured for the Medieval and Renaissance Galleries 2006.
Object history
The relief is the work of a pupil of Giovanni Pisano who derives his name from the carvings on the pulpit in the church of San Michele in Borgo. The stemma on the left (three rams with a label of three points in chief) is that of the family of Orlandini, and recurs in San Francesco at Pisa.
Subjects depicted
Summary
This relief bears the arms of one of the leading families of Pisa, the Orlandini. While other monuments in this display were paid for by towns or churches, this was probably a private commission. Artists at this period travelled widely, and this sculptor also worked in Spain.

The relief is the work of Lupo di Francesco, a Pisan sculptor who was probably also responsible for the carvings on the pulpit in the church of San Michele in Borgo, and from 1315 was the head of the workshop at Pisa Cathedral. The stemma on the left (three rams with a label of three points in chief) is that of the family of Orlandini, and recurs in San Francesco at Pisa.
Bibliographic references
  • Inventory of Art Objects Acquired in the Year 1861 In: Inventory of the Objects in the Art Division of the Museum at South Kensington, Arranged According to the Dates of their Acquisition. Vol I. London: Printed by George E. Eyre and William Spottiswoode for H.M.S.O., 1868, p. 28
  • Pope-Hennessy, John. Catalogue of Italian Sculpture in the Victoria and Albert Museum. Volume I: Text. Eighth to Fifteenth Century. London: Her Majesty's Stationery Office, 1964, p31, 32
  • Maclagan, Eric and Longhurst, Margaret H. Catalogue of Italian Sculpture. Text. London: Victoria and Albert Museum, 1932, p. 6
  • Tartuferi, Angelo and Tormen, Gianluca (eds.). La fortuna dei Primitivi. Tesori d'arte dalle collezioni italiane fra sette e ottocento. Florence: Giunti, 2014, pp. 296-297 (cat. entry by Ginevra Utari)
Collection
Accession number
7564-1861

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Record createdDecember 15, 1999
Record URL
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