Boy playing the bagpipes thumbnail 1
Boy playing the bagpipes thumbnail 2
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images
On display
Image of Gallery in South Kensington

Boy playing the bagpipes

Figure
ca. 1490-1520 (made)
Artist/Maker
Place of origin

This small statue of a naked boy playing the bagpipes was probably originally part of an altarpiece. This exquisitely modelled life-size figure is attributed to Andrea della Robbia, a member of a famous Florentine family of sculptors. Several large altarpieces by the Della Robbia family show similar naked boys - some of them with musical instruments - high up on the architectural framework. It is stylistically close to two winged putti on the cornice of an altarpiece supplied by Andrea della Robbia to the Church of the Santi Apostoli in Florence in 1512.

Trained as a marble sculptor in the studio of his uncle Luca, Andrea della Robbia also became an excellent modeller, unrivalled in his ability to capture the life of his subjects in glazed clay. His best-known works are 10 roundels of infants on the façade of Florence's Foundling Hospital (about 1487).

Object details

Categories
Object type
TitleBoy playing the bagpipes (generic title)
Materials and techniques
Polychrome enamelled terracotta
Brief description
Figure of a boy playing the bagpipes by Andrea della Robbia, Florence, about 1490-1520
Physical description
The seated boy is shown naked with the bag on his left thigh. He fingers the chanter with both hands and holds the mouthpiece in his mouth.
Dimensions
  • Height: 46.2cm
  • With old wooden plinth attached weight: 8.87kg
  • Width: 34cm
  • Depth: 19cm
Credit line
Given by HRH the Prince Consort
Subjects depicted
Summary
This small statue of a naked boy playing the bagpipes was probably originally part of an altarpiece. This exquisitely modelled life-size figure is attributed to Andrea della Robbia, a member of a famous Florentine family of sculptors. Several large altarpieces by the Della Robbia family show similar naked boys - some of them with musical instruments - high up on the architectural framework. It is stylistically close to two winged putti on the cornice of an altarpiece supplied by Andrea della Robbia to the Church of the Santi Apostoli in Florence in 1512.

Trained as a marble sculptor in the studio of his uncle Luca, Andrea della Robbia also became an excellent modeller, unrivalled in his ability to capture the life of his subjects in glazed clay. His best-known works are 10 roundels of infants on the façade of Florence's Foundling Hospital (about 1487).
Bibliographic references
  • Inventory of Art Objects Acquired in the Year 1858. In: Inventory of the Objects in the Art Division of the Museum at South Kensington, Arranged According to the Dates of their Acquisition. Vol I. London: Printed by George E. Eyre and William Spottiswoode for H.M.S.O., 1868, p. 8.
  • Maclagan, Eric and Longhurst, Margaret H. Catalogue of Italian Sculpture. Text. London: Victoria and Albert Museum, 1932, pp. 51,52
  • Pope-Hennessy, John. Catalogue of Italian Sculpture in the Victoria and Albert Museum. Volume I: Text. Eighth to Fifteenth Century. London: Her Majesty's Stationery Office, 1964, pp. 215, 216.
  • Liefkes, Reino and Hilary Young (eds.) Masterpieces of World Ceramics in the Victoria and Albert Museum. London: V&A Publishing, 2008 pp. 62-63
Collection
Accession number
4677-1858

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Record createdDecember 15, 1999
Record URL
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