Tray
Artist/Maker | |
Place of origin |
Baroque was the dominant decorative style of seventeenth- and early eighteenth-century Europe. It was grand, robust and characterised by bold, curvaceous forms, naturalistic detailing, and intricate formal patterns (particularly in France). During these years European ceramics production was dominated by tin-glazed earthenware. Potteries serving the courts and aristocracy of France, Italy and the Netherlands adopted the baroque style in the production of grand dining wares. Many of these wares were intended primarily for formal display on buffets rather than regular use.
The success of tin-glazed pottery production in Europe can be measured by the large number of factories that thrived during the late 17th and early 18th centuries. Entrepeneurial potters from Delft set out for England and the designs of the French Court designer, Jean Bèrain, also spread to Italy and Spain.
This tray is decorated with Berainesque designs surrounding a central medallion painted with the subject of Pyramus and Thisbe.
The success of tin-glazed pottery production in Europe can be measured by the large number of factories that thrived during the late 17th and early 18th centuries. Entrepeneurial potters from Delft set out for England and the designs of the French Court designer, Jean Bèrain, also spread to Italy and Spain.
This tray is decorated with Berainesque designs surrounding a central medallion painted with the subject of Pyramus and Thisbe.
Object details
Categories | |
Object type | |
Materials and techniques | Tin-glazed earthenware |
Brief description | Tray, part of a table centerpiece; on oval foot with moulded vertical rim, made in Italy, tin-glazed earthenware |
Dimensions |
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Marks and inscriptions | 'SF Lodi G. Giacijnto Rossettij fecit.' (Maker's mark painted on the back.) |
Gallery label | Tray
Made in Italy
SF Lodi G. Giacijnto Rossettij fecit.
Tin-glazed earthenware
C.40-1910 Given by J.H. Fitzhenry(16/07/2008) |
Credit line | Given by Mr. J. H. Fitzhenry |
Historical context | This is the cetral tray of a series of nine trays that would have made up a center piece for a dining table. A complete set is in the Musee Adrien Dubouche, Limoges |
Production | This is the central piece of a larger "sourtout de table", which probably counted nine dishes in total. A similar ensemble is illustrated in Damiron L. c. no. 99 (Musee de Limoges). The Limoges set signed "Hyaci Rossetus f. Lo." Giacometti L.c. Figs. 1,2 |
Summary | Baroque was the dominant decorative style of seventeenth- and early eighteenth-century Europe. It was grand, robust and characterised by bold, curvaceous forms, naturalistic detailing, and intricate formal patterns (particularly in France). During these years European ceramics production was dominated by tin-glazed earthenware. Potteries serving the courts and aristocracy of France, Italy and the Netherlands adopted the baroque style in the production of grand dining wares. Many of these wares were intended primarily for formal display on buffets rather than regular use. The success of tin-glazed pottery production in Europe can be measured by the large number of factories that thrived during the late 17th and early 18th centuries. Entrepeneurial potters from Delft set out for England and the designs of the French Court designer, Jean Bèrain, also spread to Italy and Spain. This tray is decorated with Berainesque designs surrounding a central medallion painted with the subject of Pyramus and Thisbe. |
Bibliographic references |
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Other number | 1242 - Rackham (1977) |
Collection | |
Accession number | C.40-1910 |
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Record created | July 16, 2008 |
Record URL |
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