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Not currently on display at the V&A

Three Angels Singing

Figure Group
late 15th century to early 16th century (modelled)
Artist/Maker
Place of origin

This group showing three angels singing is made by Benedetto Buglioni in the late 15th to early 16th century in Italy.

The group most likely formed part of a composition of the Nativity, being the group of angels conventionally placed in the upper part of the composition, singing the 'Gloria in excelsis'.

Benedetto Buglioni was the son of the sculptor Giovanni di Bernardo (1429/30 – ca. 1510) and possibly a pupil of Andrea Verrocchio. He also probably worked with Andrea della Robbia whose glazing techniques he learnt. In the early 1480 he opened his own shop, producing work in the style of della Robbia, Verrocchio, Antonio Rossellino, or Benedetto da Maiano.


Object details

Categories
Object type
TitleThree Angels Singing (generic title)
Materials and techniques
Terracotta
Brief description
Terracotta group of three Angels singing, Italy, Florence, late 15th or early 16ht century
Physical description
Three angels are kneeling on a base of a cloud in girdled tunics holding an unfurled scroll and singing from it.
Dimensions
  • Height: 31.4cm
  • Width: 35.6cm
  • Weight: 5.3kg
Marks and inscriptions
Three angels are kneeling on a base of a cloud in girdled tunics holding an unfurled scroll and singing from it.
Object history
The group most likely formed part of a composition of the Nativity, being the group of angels conventionally placed in the upper part of the composition, singing the 'Gloria in excelsis'.
Subjects depicted
Summary
This group showing three angels singing is made by Benedetto Buglioni in the late 15th to early 16th century in Italy.

The group most likely formed part of a composition of the Nativity, being the group of angels conventionally placed in the upper part of the composition, singing the 'Gloria in excelsis'.

Benedetto Buglioni was the son of the sculptor Giovanni di Bernardo (1429/30 – ca. 1510) and possibly a pupil of Andrea Verrocchio. He also probably worked with Andrea della Robbia whose glazing techniques he learnt. In the early 1480 he opened his own shop, producing work in the style of della Robbia, Verrocchio, Antonio Rossellino, or Benedetto da Maiano.
Bibliographic references
  • Inventory of Art Objects Acquired in the Year 1857. In: Inventory of the Objects in the Art Division of the Museum at South Kensington, Arranged According to the Dates of their Acquisition. Vol I. London: Printed by George E. Eyre and William Spottiswoode for H.M.S.O., 1868, p. 21.
  • Maclagan, Eric and Longhurst, Margaret H. Catalogue of Italian Sculpture. Text. London: Victoria and Albert Museum, 1932, p. 64.
  • Pope-Hennessy, John. Catalogue of Italian Sculpture in the Victoria and Albert Museum. Volume I: Text. Eighth to Fifteenth Century. London: Her Majesty's Stationery Office, 1964, pp. 246, 247.
Collection
Accession number
4230-1857

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Record createdDecember 15, 1999
Record URL
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