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Virgin and Child (Pietrapiana Madonna)

Relief
1450 - 1460 (made)
Artist/Maker
Place of origin

The relief, which exists in a number of variations, is known as the Pietra Piana Madonna from an example in terracotta in a tabernacle in the Via Pietra Piana, Florence. Though the composition cannot be credited to Donatello, it reflects the influence of Doantello's Verona Madonna and of a pigmented terracotta Madonna by Donatello in Berlin.

Donatello (1386-1466) was an early Renaissance sculptor and artist from Florence, who became well known for his bas-relief works, which already incorporated perspective illusionism. He was the most imaginative and versatile of the early Renaissance artists, famous for his rendering of human character and for his dramatic narratives.


Object details

Categories
Object type
TitleVirgin and Child (Pietrapiana Madonna) (generic title)
Materials and techniques
Stucco, in low relief, painted and partially gilded
Brief description
Relief, 'Virgin and Child (Pietrapiana Madonna)', stucco, painted and partially gilded, after Donatello, Florence, ca. 1450-1460
Physical description
The Virgin is seated with head in right profile and body turned three-quarters to the right. Her head is covered by a veil, and she supports the swaddled Child with her left.
Dimensions
  • Height: 83.8cm
  • Width: 68.6cm
  • Depth: 13.3cm
Subjects depicted
Summary
The relief, which exists in a number of variations, is known as the Pietra Piana Madonna from an example in terracotta in a tabernacle in the Via Pietra Piana, Florence. Though the composition cannot be credited to Donatello, it reflects the influence of Doantello's Verona Madonna and of a pigmented terracotta Madonna by Donatello in Berlin.

Donatello (1386-1466) was an early Renaissance sculptor and artist from Florence, who became well known for his bas-relief works, which already incorporated perspective illusionism. He was the most imaginative and versatile of the early Renaissance artists, famous for his rendering of human character and for his dramatic narratives.
Bibliographic references
  • Motture, Peta, ed., Donatello: Sculpting the Renaissance, London: V&A Publishing, 2023. p. 236, cat. 6.5, entry by Peta Motture Attribution: after Donatello
  • Kokole, Stanko. 'Zu Madonnenreliefs des Niccolò di Giovanni Fiorentino'. In: Mitteilungen des Kunsthistorischen Institutes in Florenz, xxxvii, 1993, 2/3, no 22, pp. 221-222
  • Pope-Hennessy, John. Catalogue of Italian Sculpture in the Victoria and Albert Museum. Volume I: Text. Eighth to Fifteenth Century. London: Her Majesty's Stationery Office, 1964, p.
  • Maclagan, Eric and Longhurst, Margaret H. Catalogue of Italian Sculpture. Text. London: Victoria and Albert Museum, 1932, p. 25
  • Inventory of Art Objects Acquired in the Year 1860. In: Inventory of the Objects in the Art Division of the Museum at South Kensington, Arranged According to the Dates of their Acquisition. Vol I. London: Printed by George E. Eyre and William Spottiswoode for H.M.S.O., 1868, p. 31
Collection
Accession number
7412-1860

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Record createdDecember 15, 1999
Record URL
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