Netsuke thumbnail 1
Netsuke thumbnail 2
Not currently on display at the V&A

Netsuke

ca. 1850-1910 (made)
Artist/Maker
Place of origin

The netsuke is a toggle. Japanese men used netsuke to suspend various pouches and containers from their sashes by a silk cord. Netsuke had to be small and not too heavy, yet bulky enough to do the job. They needed to be compact with no sharp protruding edges, yet also strong and hardwearing. Above all they had to have the means of attaching the cord. Although netsuke were made in a variety of forms, the most widely appreciated is the katabori (shape carving). This is a three-dimensional carving, such as this one.
This example is signed 'carved by Namie Tomiharu of Iwami province'. Craftsmen in Iwami province produced some of the most distinctive netsuke outside the main urban centres. The region was poor and isolated. These factors influenced both the materials and the subject-matter of the netsuke. Makers often used designs of humble animals, such as a frog. Namie Tomiharu was the leading figure of the five main netsukeshi (netsuke masters) who worked in Iwami. He excelled in netsuke made of boar's tusk. This example is of ebony and shows one of his favourite subjects - the tree-frog on a branch or leaf.


Object details

Categories
Object type
Materials and techniques
Carved ebony
Brief description
Netsuke, ebony, frog on a lotus leaf, signed 'carved by Namie Tomiharu of Iwami province', ca.1850-1910
Physical description
This carved ebony netsuke is in the form of a frog on a lotus leaf
Dimensions
  • Length: 6.5cm
Style
Credit line
Salting Bequest
Object history
Bequeathed by Mr. George Salting, accessioned in 1910. This acquisition information reflects that found in the Asia Department registers, as part of a 2022 provenance research project.
Subject depicted
Summary
The netsuke is a toggle. Japanese men used netsuke to suspend various pouches and containers from their sashes by a silk cord. Netsuke had to be small and not too heavy, yet bulky enough to do the job. They needed to be compact with no sharp protruding edges, yet also strong and hardwearing. Above all they had to have the means of attaching the cord. Although netsuke were made in a variety of forms, the most widely appreciated is the katabori (shape carving). This is a three-dimensional carving, such as this one.
This example is signed 'carved by Namie Tomiharu of Iwami province'. Craftsmen in Iwami province produced some of the most distinctive netsuke outside the main urban centres. The region was poor and isolated. These factors influenced both the materials and the subject-matter of the netsuke. Makers often used designs of humble animals, such as a frog. Namie Tomiharu was the leading figure of the five main netsukeshi (netsuke masters) who worked in Iwami. He excelled in netsuke made of boar's tusk. This example is of ebony and shows one of his favourite subjects - the tree-frog on a branch or leaf.
Collection
Accession number
A.982-1910

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Record createdDecember 15, 1999
Record URL
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