Guanyin thumbnail 1
Guanyin thumbnail 2
Image of Gallery in South Kensington
On display at V&A South Kensington
China, Room 44, The T.T. Tsui Gallery

Guanyin

Figure of Guanyin
1580-1640 (made)
Artist/Maker
Place of origin

This small statue of the Buddhist deity Guanyin is a reminder that Chinese women had a duty to bear male children. Made in south-east China, the figure was the personal possession of a woman, who could pray to it for fertility, or give thanks to Guanyin for the birth of a son. Carved from imported African or Asian ivory, the figure's surface is coloured with red lacquer and gilding. Guanyin and the baby she holds both look downwards, in the direction of the sleeve ends of the deity's robe, giving the figure an air of contemplation.


Object details

Categories
Object type
TitleGuanyin (generic title)
Materials and techniques
Ivory, lacquered and gilded
Brief description
Figure of Guanyin the Bringer of Sons, lacquered and gilt ivory, possibly Zhangzhou, China, Ming dynasty, 1580-1640
Physical description
Lacquered and gilt ivory figure of Guanyin the Bringer of Sons holding a baby boy on her right shoulder supported by both hands, wearing a long robe which extends to cover her hair piled on top of her head.
Dimensions
  • Height: 32cm
Style
Gallery label
  • Guanyin the Bringer of Sons Ming dynasty 1580-1640 Guanyin as the bringer of sons was an object of devotion for women who would pray for fertility or thank the deity for the birth of sons. Lacquered and gilt ivory Probably Zhangzhou, south China From the Eumorfopoulos collection, purchased with the assistance of The Art Fund, the Vallentin Bequest, Sir Percival David and the Universities China Committee. Museum no. A.15-1935(2009)
  • KUAN-YI (GODDESS OF MERCY) Ivory, lacquered and gilt CHINESE; 17th century Eumorfopoulos Collection A15-1935(pre 2005)
Credit line
Purchased with Art Fund support, the Vallentin Bequest, Sir Percival David and the Universities China Committee
Object history
This small statue of the Buddhist deity Guanyin holding a baby boy is a touching reminder of the Chinese wife's duty to bear male children. This devotional image probably graced a woman's room.

The design of the figure follows the curve of the tusk. Of the original gold lacquer little is left, except the dark red ground. In the number of places, noticeably on the skirts in front the ivory now shows through.
Subjects depicted
Summary
This small statue of the Buddhist deity Guanyin is a reminder that Chinese women had a duty to bear male children. Made in south-east China, the figure was the personal possession of a woman, who could pray to it for fertility, or give thanks to Guanyin for the birth of a son. Carved from imported African or Asian ivory, the figure's surface is coloured with red lacquer and gilding. Guanyin and the baby she holds both look downwards, in the direction of the sleeve ends of the deity's robe, giving the figure an air of contemplation.
Bibliographic references
  • Wilson, Verity. 'Identifying Women's Things in the T T Tsui Gallery'. Orientations. July 1991, photo p.38.
  • Kerr, Rose (ed). The T.T. Tsui Gallery of Chinese Art and Design. London: Victoria & Albert Museum, 1991. p. 145, no. 61.
  • Clunas, Craig. Chinese Carving. London: Sun Tree Publishing Ltd in association with the Victoria & Albert Museum, 1996. front cover and p. 19, fig. 7.
  • Watson, William (ed). Chinese Ivories from the Shang to the Qing. London: Oriental Ceramic Society and Philip Wilson Publishers Ltd., 1984. p. 58, no. 27.
Other number
73901 - Negative number
Collection
Accession number
A.15-1935

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Record createdDecember 15, 1999
Record URL
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