Necklace thumbnail 1
Necklace thumbnail 2
+1
images
Not currently on display at the V&A

Necklace

1850 (made)
Place of origin

This set of jewellery, comprising necklace, bracelet and earrings, has the unusual and technically impressive feature that each panel is double-sided. The wearer could choose between the two most popular decorative themes - with either the monuments of Rome or figures in regional costume uppermost.

The term 'micromosaic' is used to describe mosaics made of the smallest glass pieces. Some micromosaics contain more than 5000 pieces per square inch. The earliest attempts at micromosaic revealed visible joins between the pieces (known as tesserae) and a lack of perspective. Later artists such as Antonio Aguatti made huge advances in micromosaic technique, resulting in renderings that were truer to life. Glass micromosaic technique developed in the 18th century, in the Vatican Mosaic Workshop in Rome, where they still undertake restoration work today.

Sir Arthur Gilbert and his wife Rosalinde formed one of the world's great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. Arthur Gilbert donated his extraordinary collection to Britain in 1996.


Object details

Categories
Object type
Parts
This object consists of 2 parts.

  • Necklace
  • Case
Materials and techniques
Gold and blue glass
Brief description
Gold, micromosaic and blue glass necklace, part of a suite of jewellery. Possibly Rome, ca. 1850.
Physical description
Part of a suite of jewellery comprising a necklace, bracelet and pair of earrings, all composed of gold-chain-linked ovals of micromosaic set into blue glass bordered in gold. This set is unique in that it has mosaics on both sides, one side depicting Italian peasants in regional costumes, the other depicting monuments and ruins.
Dimensions
  • Chain laid flat length: 39.1cm
  • Of biggest pendant height: 2.2cm
Measured 12/01/24 IW
Gallery label
  • 1. Necklace, bracelet and earrings About 1850 Probably Rome, Italy Glass micromosaic set in blue glass, silver copper and gold alloy, with monuments of Rome on reverse Museum nos. Loan:Gilbert.150 to 152:1, 2-2008(16/11/2016)
  • Necklace, bracelet and earrings About 1850 Probably Rome, Italy Micromosaic set in blue glass and gold, with monuments of Rome on reverse Museum no. Loan:Gilbert.150 to 152:1, 2-2008(2009)
Credit line
The Rosalinde and Arthur Gilbert Collection on loan to the Victoria and Albert Museum, London
Object history
Historical significance: Representations of peasants often dressed in regional folk costumes are relatively rare in micromosaics. There are other examples in the Gilbert Collection set into snuffboxes and a bracelet.
Historical context
Mosaics of peasants were often based on engravings by Bartolomeo Pinelli (1781-1835) which were published in Rome in 1816.
Subjects depicted
Places depicted
Summary
This set of jewellery, comprising necklace, bracelet and earrings, has the unusual and technically impressive feature that each panel is double-sided. The wearer could choose between the two most popular decorative themes - with either the monuments of Rome or figures in regional costume uppermost.

The term 'micromosaic' is used to describe mosaics made of the smallest glass pieces. Some micromosaics contain more than 5000 pieces per square inch. The earliest attempts at micromosaic revealed visible joins between the pieces (known as tesserae) and a lack of perspective. Later artists such as Antonio Aguatti made huge advances in micromosaic technique, resulting in renderings that were truer to life. Glass micromosaic technique developed in the 18th century, in the Vatican Mosaic Workshop in Rome, where they still undertake restoration work today.

Sir Arthur Gilbert and his wife Rosalinde formed one of the world's great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. Arthur Gilbert donated his extraordinary collection to Britain in 1996.
Associated objects
Collection
Accession number
LOAN:GILBERT.150:1,2-2008

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdJune 26, 2008
Record URL
Download as: JSONIIIF Manifest