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Wine fountain

  • Place of origin:

    London, England (made)

  • Date:

    1713-1714 (hallmarked)
    1833 (made)

  • Artist/Maker:

    Platel, Pierre, born 1659 - died 1719 (Pierre and his brother Claude arrived in England in the wake of William III in 1688. With fellow Hu, maker)
    William Elliott (makers)

  • Materials and Techniques:

    silver, cast, chased, engraved

  • Credit Line:

    The Rosalinde and Arthur Gilbert Collection on loan to the Victoria and Albert Museum, London

  • Museum number:

    LOAN:GILBERT.660:1 to 3-2008

  • Gallery location:

    Gold, Silver & Mosaics, room 71, case 3, shelf 2

This wine fountain would have been prominently displayed on a sideboard. It was used to rinse wine glasses before they were refilled to guests at the dining table. The maker, Pierre Platel, was a prestigious Huguenot goldsmith to whom Paul de Lamerie, later the most successful smith in London, was apprenticed.

When the Catholic King Louis XIV revoked the Edict of Nantes in 1685, Huguenots (French Protestants) were forced to leave the country. Many were craftsmen who settled in London. Their technical skills and fashionable French style ensured the luxury silver, furniture, watches and jewellery they made were highly sought after. Huguenot specialists transformed English silver by introducing higher standards of craftsmanship. They promoted new forms, such as the soup tureen and sauce boat, and introduced a new repertoire of ornament, with cast sculptural details and exquisite engraving.

Sir Arthur Gilbert and his wife Rosalinde formed one of the world's great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. Arthur Gilbert donated his extraordinary collection to Britain in 1996.

Physical description

Rising from a large stepped circular foot this silver two handled wine fountain of vase-shaped form is surmounted by a multi-domed and waisted lid. The circular stand with a gadrooned edge has scrolling strapwork with rosettes and shell motifs, on a punched matted ground and a second row of gadrooning. The waisted socle repeats the gadrooning and a simpler form of strap work; a central band is decorated with rosettes. The bowl of the fountain is decorated with similar strapwork, scrolls, rosettes and shell-motifs on a punched matt ground. The spout terminates in a dragon's head and the lever is of cast scroll design. The central section of the vase is highly polished and punctuated by two applied oval egg-and-dart edged cartouches surmounted by a calyx of acanthus leaves. An applied cartouche on the back contains an inscription whereas the front cartouche contains a coat of arms within an ornately chased rococo cartouche. A pair of handles hangs from scroll mounts on either side of the fountain. The bulbous rim of the urn is decorated with the strapwork, scrolls, rosettes and shell-motifs on a punched matt ground (similar to the decoration on the bowl and stand). The vase is surmounted by a gadrooned border. The double-domed lid is decorated with cut-card scroll-work punctuated by vertebrate sections. The highly waisted section between the lower and upper domes is highly polished, and the dome is covered in a chased calyx of laurel leaves. The fountain is surmounted by a fleur-de-lis finial.

Place of Origin

London, England (made)

Date

1713-1714 (hallmarked)
1833 (made)

Artist/maker

Platel, Pierre, born 1659 - died 1719 (Pierre and his brother Claude arrived in England in the wake of William III in 1688. With fellow Hu, maker)
William Elliott (makers)

Materials and Techniques

silver, cast, chased, engraved

Marks and inscriptions

'ANNAE REGINAE
Domina sua clementissima Johannes Walter Baronettus Cleric: Comptrorotulat.r Hospitij Munificentia Regiamemor, Anno Pacis restituta, MDCCXIII Grati animi, et latitia Ergo; Ut cantharus et lanx sc sibi oftendat dum Optima Principi Salutem et fausta omnia quotidiae precatur'

With scratch weight 25=5 TO QUEEN ANNE, his most merciful lady, John Walter, Baronet, Clerk and Comptroller of Hospitality, Mindful of royal munificence in the year of Peace restored, 1713, being of thankful heart and full of happiness, Therefore prays that this large vessel and platter may show these sentiments plainly on his behalf while he daily prays health and everything auspicious for the best of Sovereigns.
London hallmarks for 1713-14
Mark of Pierre Platel
Coat of Arms

Dimensions

Height: 64 cm, Width: 35 cm approx., Depth: 41.4 cm, Diameter: 20 cm of foot, Weight: 12840 g

Object history note

The wine fountain was presented to Sir John Walter by Queen Anne in recognition of his role at Court as clerk comptroller of the Green Cloth.

Walter was one of a small group of wine-bibbing Tories who came together under the Duke of Beaufort’s lead in July 1709 to establish the ‘Board of Brothers’, and he became a regular participant in the Board’s proceedings. In June 1710, as prospects of peace began to materialize, he showed a characteristic concern that Parliament should lose no time in restoring regulations allowing the direct import of French wines from France. But in addition to his enthusiasm for French wine, Walter had also emerged as a High Church champion of Dr Sacheverell, voting against the impeachment early in 1710, and in July extending ‘noble’ hospitality to the doctor at Sarsden. Walter’s alcoholic reputation seems to have inspired the Whigs to claim in print that he had got Sacheverell so excessively drunk that he was ‘laid flat under the table’, permitting the Whig jest that the ‘pillar of the Church’ had been made to seem ‘Low Church’. This was vehemently repudiated in a wide-ranging Tory vindication of the doctor in which was printed a letter, dated 4 Jan. 1711, purportedly penned by Walter to Sacheverell, solemnly testifying that the charge was sheer fabrication.

As Sir John Walter set about composing his will in October 1718 it was his ‘earnest desire’ that the silver wine fountain with which the Queen had presented him in acknowledgement of his services to her household should be retained at his residence at Sarsden, ‘that the same may be therein perpetually preserved in remembrance of my duty and gratitude to her said late Majesty and of the honour I bear to her memory’.

Add. 49360, f. 100; Norf. RO, Ketton-Cremer mss, James to Ashe Windham*, 28 Sept. 1714; PCC 64 Richmond.

http://www.historyofparliamentonline.org/volume/1690-1715/member/walter-sir-john-1674-1722 accessed 26/10/2016

Historical context note

A wine fountain was placed on the sideboard and used to dispense water for rinsing used wine glasses so they could be refilled and presented to guests seated at the dining table.

Descriptive line

Silver wine fountain, London hallmarks for 1713-14, mark of Pierre Platel

Bibliographic References (Citation, Note/Abstract, NAL no)

Schroder, Timothy, ed. The Gilbert Collection at the V&A. London (V&A Publishing) 2009, p. 38, pl. 23. ISBN9781851775934 http://www.historyofparliamentonline.org/volume/1690-1715/member/walter-sir-john-1674-1722 accessed 26/10/2016

Associated names

Anne Queen of Great Britain and Ireland

Materials

Silver

Subjects depicted

Acanthus; Coats of arms; Scroll-work; Rosettes; Shells; Strapwork; Cartouches; Gadroons; Fleurs-de-lis; Laurel (foliage); Egg and dart moldings; Finials; Calyx (plant form); Cut card work; Dragon's head; Walter, John (Sir)

Categories

Containers; Drinking; Metalwork

Production Type

Unique

Collection code

MET

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