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Sauce Tureen

1769-1770 (hallmarked)
Artist/Maker
Place of origin

Tureens are an invention of the 1690s and were probably introduced at the court of Louis XIV. They were designed for use with a ladle, and remained on the table throughout the dinner. Tureens were passed around the table and handled by diners who undoubtedly admired the elaborate decoration and matching ladles. Sauce tureens, such as the present pair, are comparatively rare, and were introduced somewhat later than their larger counterparts.

The style of this pair of tureens is inspired by ancient Roman decoration and shows several typical elements of the Neoclassical style which became fashionable in the third quarter of the 18th century: Rams masks, hoof feet and Vitruvian scrolls. The overall composition of the set is typical for its maker Thomas Heming whose designs use the classical vocabulary in a rather distinct and playful way. Rather than applying the classical motifs to the functional carcass as mere decoration they become a defining part of the design. The ram masks for example function as handles with drapery arranged around the horns to add additional support.

Sir Arthur Gilbert and his wife Rosalinde formed one of the world's great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. Arthur Gilbert donated his extraordinary collection to Britain in 1996.
On long-term loan to Los Angeles County Museum from 2010.


Object details

Categories
Object type
Parts
This object consists of 2 parts.

  • Sauce Tureen
  • Cover
Materials and techniques
Silver, raised, cast, moulded, chased and flat-chased, engraved and punched.
Brief description
Silver, London hallmarks for 1769-70, mark of Thomas Heming
Physical description
Silver tureen of oval form with fluting and resting on four hoof feet, a circular wreath engraved with a coat of arms is applied to each side and above each wreath is applied a ram's mask with drapery swags. The cover has a foliage-ring handle, fluted around its raised centre within applied reeding, and engraved around the border with a band of Vitruvian scrolls and foliage on a punched matted ground.
Dimensions
  • Height: 16cm
  • Length: 21.5cm
  • Weight: 1330g
Marks and inscriptions
  • London hallmarks for 1769-70
  • Mark of Thomas Heming
  • Engraved with a coat of arms of Smith quatering the quarterly arms of Leighton and Owen for Owen Smythe Owen (d.1804) of Condover Park, Shropshire. (He took the name and arms of Owen in 1790,the authority of February 27 published in the London Gazette (p.121). The engraving presumably dates, therefore, from between 1790 and 1804.)
Credit line
The Rosalinde and Arthur Gilbert Collection on loan to the Victoria and Albert Museum, London
Object history
Provenance: Owen Smythe Owen, Condover Park, Shropshire. Sale, Sotheby's, London, December 12, 1974, lot 147. Purchased from Kenneth Davis, Ltd., London, 1985.
Subjects depicted
Summary
Tureens are an invention of the 1690s and were probably introduced at the court of Louis XIV. They were designed for use with a ladle, and remained on the table throughout the dinner. Tureens were passed around the table and handled by diners who undoubtedly admired the elaborate decoration and matching ladles. Sauce tureens, such as the present pair, are comparatively rare, and were introduced somewhat later than their larger counterparts.

The style of this pair of tureens is inspired by ancient Roman decoration and shows several typical elements of the Neoclassical style which became fashionable in the third quarter of the 18th century: Rams masks, hoof feet and Vitruvian scrolls. The overall composition of the set is typical for its maker Thomas Heming whose designs use the classical vocabulary in a rather distinct and playful way. Rather than applying the classical motifs to the functional carcass as mere decoration they become a defining part of the design. The ram masks for example function as handles with drapery arranged around the horns to add additional support.

Sir Arthur Gilbert and his wife Rosalinde formed one of the world's great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. Arthur Gilbert donated his extraordinary collection to Britain in 1996.
On long-term loan to Los Angeles County Museum from 2010.
Associated objects
Bibliographic references
  • Brett, Vanessa. The Sotheby's Directory of Silver, 1600-1940. London: Sotheby's Publications, 1986, no. 988.
  • Schroder, Timothy. The Gilbert collection of gold and silver. Los Angeles (Los Angeles County Museum of Art) 1988, cat. no. 81, pp. 308-311. ISBN.0875871445
  • Glanville, Philippa and Hilary Young, ed. Elegant eating. Four hundred years of dining in style. London: V&A Publications 2002, p. 60. ISBN 1 85177 337 1
  • Williams, Elizabeth A. The Gilbert Collection at the Los Angeles County Museum of Art. Los Angeles (Los Angeles County Museum of Art), 2010, fig. 7, p. 30. ISBN 9780875872100
Other numbers
  • SG 185A-F - Arthur Gilbert Number
  • L.2010.9.25.1a-b - LACMA Loan Number 2010
  • SG 362 i - Arthur Gilbert Number
  • 2001.10 - The Gilbert Collection, Somerset House
Collection
Accession number
LOAN:GILBERT.762:1-2008

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Record createdJune 26, 2008
Record URL
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