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Pilgrim Bottle thumbnail 2
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Not currently on display at the V&A

Pilgrim Bottle

1825-1826 (hallmarked)
Artist/Maker
Place of origin

This flask and its pair were made as collector's items. They are based on water flasks carried by medieval pilgrims but more directly inspired by Huguenot examples dating from about 1700. Embossed plaques with scenes of Christ's resurrection and the Last Supper have been applied to the surface of the bottle. The elaborate decoration is characteristic of Edward Farrell's silver.

Sir Arthur Gilbert and his wife Rosalinde formed one of the world's great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. Arthur Gilbert donated his extraordinary collection to Britain in 1996.


Object details

Categories
Object type
Parts
This object consists of 2 parts.

  • Pilgrim Bottle
  • Lid
Materials and techniques
Raised, cast, chased, pierced, engraved and cut-card, gilded silver (silver-gilt)
Brief description
Silver-gilt pilgrim bottle, London hallmarks for 1825-6, mark of Edward Farrell
Physical description
Pear shaped Pilgrim Bottle with slender neck, the body decorated with panels of Biblical scenes, with a pendant chain hung from the shoulders and a coat of arms engraved at the base of the neck. The domed cover has a pierced trefoil finial above and applied cut-card calyx.
Dimensions
  • Diameter: 78.7cm
  • Height: 76.2cm
Marks and inscriptions
  • Engraved arms of Frederick, duke of York (1763-1827), and Vane impaling Russell, for William Henry Vane as marquess of Cleveland (1766-1842).
  • London hallmark for 1825-6 (On the lip)
  • Sterling standard
  • Mark of Edward Farrell (On the foot)
  • Duty stamp
  • 'Lewis Silversmith to H.R.H. the Duke of York St James's London' (Stamped on foot)
Gallery label
2, 3. Collectors’ silver These objects were made as collectors’ items in the 19th century. They incorporate earlier stylistic elements and parts. 2. Pair of pilgrim flasks Flasks, 1825–26. Plaques, about 1610 and about 1660 Bottles: London, England; Edward Farrell (about 1780–1850) for Kensington Lewis Plaques: England and Netherlands Gilded silver Engraved with arms of Frederick, Duke of York (1763–1827) and William Henry Vane, 1st Marquess and 4th Duke of Cleveland (1766–1842) Museum nos. Loan:Gilbert.850:1, 2; 851:1, 2-2008(16/11/2016)
Credit line
The Rosalinde and Arthur Gilbert Collection on loan to the Victoria and Albert Museum, London
Object history
Provenance: H.R.H. Frederick, Duke of York. William Henry Vane, first Marquess and fourth Duke of Cleveland. By descent to Baron Barnard, Raby Castle, sale, Christie's, lot 134, 15/07/1975. Acquired by Arthur Gilbert from S.J. Phillips Ltd, London, 1975.
Historical context
The pear-shaped form of the pilgrim bottle is also used on a smaller scale for scent flasks. A pair of wine flagons dated 1579 of this form with chains are in the Moscow Kremlin Museums. King Charles I had twenty-two examples amongst the Royal plate. From Charles II's reign examples survive dated 1663 and 1683. A pair of Paris-made silver pilgrim bottles given to John Churchill, later 1st Duke of Marlborough by Louis XIV in the 1670s were displayed on the Dining Room Buffet at Marlborough House, St James's.There are celebrated Huguenot examples dated 1699 by Pierre Harrache at Eton College and Pierre Platel circa 1710 made for General Charles Churchill in the V&A. Given that Pierre Platel's workshop in Pall Mall was close to Marlborough House, it is likely that Charles Churchill was inspired by the display of silver at his brother's great London house in commissioning this example The present pair ordered in 1825 from goldsmith Edward Farrell by the Duke of York, brother of George IV, are the earliest recorded antiquarian revival of this spectacular form of display silver. A splendid pair of parcel-gilt pilgrim bottles by Lambert and Rawlings were made for the Great Exhibition in London, 1851.
Production
The embossed plaques English, c. 1660, and Dutch, c. 1610.
Summary
This flask and its pair were made as collector's items. They are based on water flasks carried by medieval pilgrims but more directly inspired by Huguenot examples dating from about 1700. Embossed plaques with scenes of Christ's resurrection and the Last Supper have been applied to the surface of the bottle. The elaborate decoration is characteristic of Edward Farrell's silver.

Sir Arthur Gilbert and his wife Rosalinde formed one of the world's great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. Arthur Gilbert donated his extraordinary collection to Britain in 1996.
Associated objects
Bibliographic references
  • Hillier, Bevis. The Gilbert Collection of Silver. The Connoisseur. June 1976, vol. 192, no. 772, fig. 13, pp. 120-21.
  • Clayton, Michael. The Collector’s dictionary of the silver and gold of Great Britain and North America. 2nd ed. London: Antique Collectors’ Club, 1985, p. 272.
  • Clayton, Michael. Christie's pictorial history of English and American silver. Oxford: Phaidon/Christie's, 1985, cat. no. 9, p. 243.
  • Schroder, Timothy. The Gilbert collection of gold and silver. Los Angeles (Los Angeles County Museum of Art) 1988, cat. no. 122, pp. 452-8. ISBN.0875871445
  • Jones, William Ezelle, Monumental Silver: Selections from the Gilbert Collection. Los Angeles : Los Angeles County Museum of Art, 1977 no.41
Other numbers
  • SG 67B - Arthur Gilbert Number
  • M.77.2.20 - LACMA
  • SG 91
Collection
Accession number
LOAN:GILBERT.851:1, 2-2008

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Record createdJune 26, 2008
Record URL
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