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Not currently on display at the V&A

Cup

1717-1718 (hallmarked)
Artist/Maker
Place of origin

This cup would have been displayed on a sideboard. When viewed by candlelight, its dignified proportions and the balance of plain and decorated surfaces were enhanced. The decoration shows the influence of Huguenot silversmith Pierre Platel, who arrived in England in 1688, or the work of his one-time apprentice, Paul de Lamerie, who became the most successful Huguenot smith in London.

When the Catholic King Louis XIV revoked the religiously tolerant Edict of Nantes in 1685, Huguenots (French Protestants) were forced to leave the country. Many were craftsmen who settled in London. Their technical skills and fashionable French style ensured the luxury silver, furniture, watches and jewellery they made were highly sought after. Huguenot specialists transformed English silver by introducing higher standards of craftsmanship. They promoted new forms, such as the soup tureen and sauceboat, and introduced a new repertoire of ornament, with cast sculptural details and exquisite engraving.

Sir Arthur Gilbert and his wife Rosalinde formed one of the world's great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. Arthur Gilbert donated his extraordinary collection to Britain in 1996.


Object details

Categories
Object type
Parts
This object consists of 2 parts.

  • Cup
  • Cover
Materials and techniques
Raised, cast, pierced, punched and engraved silver with applied cut-card calyx
Brief description
Silver cup and cover, Paul de Lamerie, London, 1717-18.
Physical description
Two-handled silver cup standing on a stepped, spreading foot, engraved with the arms of Herbert impaling Smith of London. The body is decorated with cut-card calyx of alternating laurel leaves and strapwork and flanked by leaf-capped S-scroll handles. The domed cover constructed with a stepped border and a cut-card calyx is surmounted by a baluster finial.
Dimensions
  • Height: 28.9cm
  • Width: 28.3cm
  • Depth: 17cm
  • Weight: 2400g
Updated with measurements taken 18/08/08
Marks and inscriptions
  • London hallmarks for 1717-18 (On the lip and inside the cover)
  • Mark of Paul de Lamerie (On the lip and inside the cover)
  • Engraved with the arms of Herbert impaling Smith of London, for the Honourable Robert Sawyer Herbert (d. 1769) of High Clere, Hampshire, second son of Thomas, eight earl of Pembroke
  • Britannia standard (On the lip and inside the cover)
Credit line
The Rosalinde and Arthur Gilbert Collection on loan to the Victoria and Albert Museum, London
Object history
Provenance: The Hon. Robert Sawyer Herbert, High Clere, Hampshire. The Rt. Hon. Charles John Halswell, ninth baron Wharton, sale, Christie's, lot 150, 18/03/1970. Purchased from J.H. Bourdon-Smith, Ltd., London, 1970. Rosalinde and Arthur Gilbert.
Subjects depicted
Summary
This cup would have been displayed on a sideboard. When viewed by candlelight, its dignified proportions and the balance of plain and decorated surfaces were enhanced. The decoration shows the influence of Huguenot silversmith Pierre Platel, who arrived in England in 1688, or the work of his one-time apprentice, Paul de Lamerie, who became the most successful Huguenot smith in London.

When the Catholic King Louis XIV revoked the religiously tolerant Edict of Nantes in 1685, Huguenots (French Protestants) were forced to leave the country. Many were craftsmen who settled in London. Their technical skills and fashionable French style ensured the luxury silver, furniture, watches and jewellery they made were highly sought after. Huguenot specialists transformed English silver by introducing higher standards of craftsmanship. They promoted new forms, such as the soup tureen and sauceboat, and introduced a new repertoire of ornament, with cast sculptural details and exquisite engraving.

Sir Arthur Gilbert and his wife Rosalinde formed one of the world's great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. Arthur Gilbert donated his extraordinary collection to Britain in 1996.
Bibliographic references
  • Christie's Review of the Year 1969/70. London: Christie, Manson & Woods, p. 211
  • Hillier, Bevis. 'The Gilbert Collection of Silver'. The Connoisseur, June 1976, vol. 192, pp. 114, 115 no. 1.
  • Schroder, Timothy. The Gilbert collection of gold and silver. Los Angeles (Los Angeles County Museum of Art) 1988, cat. no. 36, pp. 152-54. ISBN.0875871445
  • Jones, William Ezelle, Monumental Silver: Selections from the Gilbert Collection. Los Angeles : Los Angeles County Museum of Art, 1977 no.1
  • Gilbert, Arthur. Monumental Silver: The Gilbert Collection, Los Angeles, Los Angeles County Museum of Art, 1974 no.1
Other numbers
  • SG 29 - Arthur Gilbert Number
  • M.75.135.43 - LACMA
  • SG 122B - Arthur Gilbert Number
  • 1996.907 - The Gilbert Collection, Somerset House
Collection
Accession number
LOAN:GILBERT.649:1, 2-2008

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Record createdJune 26, 2008
Record URL
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