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Not currently on display at the V&A

Miniature

1752 (made)
Artist/Maker
Place of origin

Gervase Spencer was originally a gentleman's servant who taught himself miniature painting in watercolour on ivory. It is however unclear how he learned the more complicated process of enamelling.

In the 17th century, new techniques of painting enamels allowed delicate portraits resembling tiny oil paintings to be created. This enamel portraiture in miniature was a truly international art. Many enamellers travelled in order to find new markets, while others migrated to escape religious persecution. Enamel miniatures were first fashionable in continental Europe, but were particularly in vogue in Britain from the 1720s to 1760s.

Sir Arthur Gilbert and his wife Rosalinde formed one of the world's great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. Arthur Gilbert donated his extraordinary collection to Britain in 1996.


Object details

Categories
Object type
Materials and techniques
Enamel on copper, gilt-brass frame
Brief description
Enamel miniature on copper, in a gilt-brass frame, England, 1752, by Gervase Spencer.
Physical description
Oval miniature portrait of a young girl resting her head on her hand. She wears a pink and white dress, a cape with pink ribbons and a white bonnet. The miniature is enamel on copper with a gilt-brass rim frame.
Dimensions
  • Height: 6.07cm
  • Width: 4.12cm
  • Depth: 0.31cm
Updated with measurements taken 02/09/08
Marks and inscriptions
Signed and dated 'G. Spencer pinxt / 1752' (On the counter enamel)
Gallery label
  • 9. Young girl 1752 Gervase Spencer was originally a gentleman’s servant. He taught himself miniature painting in watercolour on ivory. It is, however, unclear how he learned the more complicated process of enamelling. His enamelling style is distinct from the stippled technique of Christian Friedrich Zincke. England; probably Gervase Spencer (about 1715–63) Enamel on copper in gilded brass frame Museum no. Loan:Gilbert.271-2008(16/11/2016)
  • Young girl 1752 Gervase Spencer was originally a gentleman’s servant, who taught himself miniature painting in watercolour on ivory. It is, however, unclear how he learned the more complicated process of enamelling. His enamelling style is distinct from the stippled technique of Zincke. England; probably Gervase Spencer (about 1715–63) Enamel on copper in gilded brass frame Museum no. Loan:Gilbert.271-2008(2009)
Credit line
The Rosalinde and Arthur Gilbert Collection on loan to the Victoria and Albert Museum, London
Object history
Provenance: Wartski, 1979.
Subject depicted
Summary
Gervase Spencer was originally a gentleman's servant who taught himself miniature painting in watercolour on ivory. It is however unclear how he learned the more complicated process of enamelling.

In the 17th century, new techniques of painting enamels allowed delicate portraits resembling tiny oil paintings to be created. This enamel portraiture in miniature was a truly international art. Many enamellers travelled in order to find new markets, while others migrated to escape religious persecution. Enamel miniatures were first fashionable in continental Europe, but were particularly in vogue in Britain from the 1720s to 1760s.

Sir Arthur Gilbert and his wife Rosalinde formed one of the world's great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. Arthur Gilbert donated his extraordinary collection to Britain in 1996.
Bibliographic reference
Coffin, Sarah and Bodo Hofstetter. Portrait Miniatures in Enamel. London: Philip Wilson Publishers Ltd. in association with the Gilbert Collection, 2000. 168 p., ill. Cat. no. 51, pp. 102-103. ISBN 0856675334.
Other numbers
  • 1996.781.1 - The Gilbert Collection, Somerset House
  • 1996.791.1 - The Gilbert Collection, Somerset House
  • MIN 26 - Arthur Gilbert Number
Collection
Accession number
LOAN:GILBERT.271-2008

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Record createdJune 26, 2008
Record URL
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