Miniature
ca.1750 (made)
Artist/Maker | |
Place of origin |
Rouquet was born to French Huguenot parents, who had moved to Geneva seeking religious tolerance. He worked in Geneva, Paris and London, where he became a friend of the painter William Hogarth (1697-1764). In 1755 he published The Present State of the Arts in England, which included a chapter on portraiture in enamel.
In the 17th century, new techniques of painting enamels allowed delicate portraits resembling tiny oil paintings to be created. This enamel portraiture in miniature was a truly international art. Many enamellers travelled in order to find new markets, while others migrated to escape religious persecution. Enamel miniatures were first fashionable in continental Europe, but were particularly in vogue in Britain from the 1720s to 1760s.
Sir Arthur Gilbert and his wife Rosalinde formed one of the world's great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. Arthur Gilbert donated his extraordinary collection to Britain in 1996.
In the 17th century, new techniques of painting enamels allowed delicate portraits resembling tiny oil paintings to be created. This enamel portraiture in miniature was a truly international art. Many enamellers travelled in order to find new markets, while others migrated to escape religious persecution. Enamel miniatures were first fashionable in continental Europe, but were particularly in vogue in Britain from the 1720s to 1760s.
Sir Arthur Gilbert and his wife Rosalinde formed one of the world's great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. Arthur Gilbert donated his extraordinary collection to Britain in 1996.
Object details
Categories | |
Object type | |
Materials and techniques | Enamel on copper, enamel and pierced gilt-brass frame |
Brief description | Enamel miniature on copper, enamel and pierced gilt-brass frame, England, ca.1750, by Jean André Rouquet. |
Physical description | Oval miniature portrait of a gentleman wearing a powdered wig and a brown velvet jacket. The miniature is enamel on copper and the frame is of enamel and pierced gilt-brass. |
Dimensions |
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Gallery label |
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Credit line | The Rosalinde and Arthur Gilbert Collection on loan to the Victoria and Albert Museum, London |
Object history | Provenance: Holzscheiter Collection. Fischer Galleries, Lucerne, 23/06/1960. Sale, Sotheby's London, lot 31, 01/05/1980. |
Subject depicted | |
Summary | Rouquet was born to French Huguenot parents, who had moved to Geneva seeking religious tolerance. He worked in Geneva, Paris and London, where he became a friend of the painter William Hogarth (1697-1764). In 1755 he published The Present State of the Arts in England, which included a chapter on portraiture in enamel. In the 17th century, new techniques of painting enamels allowed delicate portraits resembling tiny oil paintings to be created. This enamel portraiture in miniature was a truly international art. Many enamellers travelled in order to find new markets, while others migrated to escape religious persecution. Enamel miniatures were first fashionable in continental Europe, but were particularly in vogue in Britain from the 1720s to 1760s. Sir Arthur Gilbert and his wife Rosalinde formed one of the world's great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. Arthur Gilbert donated his extraordinary collection to Britain in 1996. |
Bibliographic reference | Coffin, Sarah and Bodo Hofstetter. Portrait Miniatures in Enamel. London: Philip Wilson Publishers Ltd. in association with the Gilbert Collection, 2000. 168 p., ill. Cat. no. 47, pp. 98-99. ISBN 0856675334. |
Other numbers |
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Collection | |
Accession number | LOAN:GILBERT.296-2008 |
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Record created | June 26, 2008 |
Record URL |
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