The Last Supper
Beaker
ca. 1850 (made)
ca. 1850 (made)
Artist/Maker | |
Place of origin |
Ivory was a luxury material, and in style and form this large beaker and cover dating from the early 19th century are relatively unusual. It is reminiscent of vessels made during the baroque era, and the religious subject on the main body, 'The Last Supper', recalls liturgical objects. It was probably made as a historicising piece, purely for ornamental purposes. Given the source for the figurative composition, and the style of carving, the ivory is likely to be Netherlandish.
Sir Arthur Gilbert and his wife Rosalinde formed one of the world's great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. Arthur Gilbert donated his extraordinary collection to Britain in 1996.
Sir Arthur Gilbert and his wife Rosalinde formed one of the world's great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. Arthur Gilbert donated his extraordinary collection to Britain in 1996.
Object details
Categories | |
Object type | |
Parts | This object consists of 2 parts.
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Title | The Last Supper (generic title) |
Materials and techniques | Carved ivory and Chased gilded silver (silver-gilt) mounts |
Brief description | Beaker, ivory and silver-gilt mounts, lidded, depiciting the Last Supper, perhaps Netherlandish, ca. 1850, mounts in the style of Leopold Lichtenschopf, probably 1850 |
Physical description | Silver-gilt and ivory beaker of tapering cylindrical form, the beaker carved with a scene of the Last Supper in an architectural setting on a lobed base. The cover is fluted with a bud finial and is engraved with a combined coat of arms. Within the scene a woman stands at one side holdinga a lantern and pointing towards the main group of Christ and the Apostles, who are seated at the table. On the other side a boy stands with a basket. A chandelier hangs above the main group, and candles are seen elsewhere. Curtains are draped around an interior architectural setting og high arches. Above the main arch is inscribed a Latin inscription. The silver-gilt base and the lid are each marked 'CB'. Under the base is also the mark 'LL' under a star, with a shield. A double coat of arms is engraved on top of the gilt metal lid, as yet unidentified. |
Dimensions |
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Marks and inscriptions |
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Credit line | The Rosalinde and Arthur Gilbert Collection on loan to the Victoria and Albert Museum, London |
Object history | The Rosalinde and Arthur Gilbert Collection on loan to the Victoria and Albert Museum. Christie's, Amsterdam, 1992, bought by Timothy Schroder for Partridge's, London; sold to Arthur Gilbert in 1993. |
Subjects depicted | |
Literary reference | The Last Supper |
Summary | Ivory was a luxury material, and in style and form this large beaker and cover dating from the early 19th century are relatively unusual. It is reminiscent of vessels made during the baroque era, and the religious subject on the main body, 'The Last Supper', recalls liturgical objects. It was probably made as a historicising piece, purely for ornamental purposes. Given the source for the figurative composition, and the style of carving, the ivory is likely to be Netherlandish. Sir Arthur Gilbert and his wife Rosalinde formed one of the world's great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. Arthur Gilbert donated his extraordinary collection to Britain in 1996. |
Bibliographic references |
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Other numbers |
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Collection | |
Accession number | LOAN:GILBERT.52:1-2008 |
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Record created | June 26, 2008 |
Record URL |
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