Ciborium and Cover thumbnail 1
Ciborium and Cover thumbnail 2
Not currently on display at the V&A

Ciborium and Cover

1690-1691 (made)
Artist/Maker
Place of origin

During the Catholic Mass, the wine is held in a chalice and the bread is contained in a ciborium. This ciborium and cover were made for this purpose. The belief that bread and wine become the body and blood of Christ when consecrated during Mass was reaffirmed in the 16th century. It was a central decree issued by the Council of Trent which set out to confirm and strengthen the doctrines of the Catholic Church. This led to the increased production of exquisite vessels for Catholic worship.

The vine and wheat sheaf motifs on the ciborium refer to wine and bread: the blood and body of Christ in the Eucharist. The crown and orb are symbols universally associated with royalty and power. On this Christian ciborium they are brought together with the dove to represent the trinity of Father, Son and Holy Spirit.


Sir Arthur Gilbert and his wife Rosalinde formed one of the world's great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. Arthur Gilbert donated his extraordinary collection to Britain in 1996.


Object details

Object type
Parts
This object consists of 2 parts.

  • Ciborium
  • Cover
Materials and techniques
Silver-gilt, raised, cast, chased, embossed, pierced, punched, matted
Brief description
Ciborium and cover, silver-gilt, marked Antwerp, Filip I Moermans, 1690-1691
Physical description
Silver-gilt ciborium and cover, resting on a spreading foot embossed with cherubs, wheat sheaves and bunches of grapes on matted ground. The inverted baluster stem is matted and chased with fluting and leaves and has a beaded ring above and below. The bowl has a wide calyx decorated with wheat sheaves and vines. The cover is chased around the border with gadroons and the finial is in the form of an openwork crown surmounted by an orb and a dove within a sunburst surround.
Dimensions
  • Overall (ciborium and cover) height: 30.2cm
  • Weight: 685g
  • Diameter: 11.4cm
Marks and inscriptions
  • Mark 'PM' in monogram for Filip I Moermans (on rim of foot)
  • Antwerp town mark and crowned 'K' as date letter for 1690-1691 (on rim of foot)
Gallery label
Ciborium and Cover The vine and wheat sheaf motifs on the ciborium refer to wine and bread: the blood and body of Christ in the Eucharist. The crown and orb are symbols universally associated with royalty and power. On this Christian ciborium they are brought together with the dove to represent the trinity of Father, Son and Holy Spirit. Antwerp, Southern Netherlands (now Belgium), 1690–1; marked for Philipp I Moermans (1636–1702) Gilded silver Museum no. Loan:Gilbert.91:1, 2-2008 (Display Angels and Saints/Sacred Silver Galleries, 02 April 2012-30 May 2013)(02/04/2012-30/05/2013)
Credit line
The Rosalinde and Arthur Gilbert Collection on loan to the Victoria and Albert Museum, London
Object history
Provenance: Purchased from S. J. Phillips Ltd., London, 1986.

The ciborium is marked for Filip Moermans the Elder who in 1668 opened a workshop together with his brother Joannes Moermans (1625-1703). Sacred silver appears to have been an important part of the output of this workshop if the surviving œuvre can be considered representative.
Subjects depicted
Summary
During the Catholic Mass, the wine is held in a chalice and the bread is contained in a ciborium. This ciborium and cover were made for this purpose. The belief that bread and wine become the body and blood of Christ when consecrated during Mass was reaffirmed in the 16th century. It was a central decree issued by the Council of Trent which set out to confirm and strengthen the doctrines of the Catholic Church. This led to the increased production of exquisite vessels for Catholic worship.

The vine and wheat sheaf motifs on the ciborium refer to wine and bread: the blood and body of Christ in the Eucharist. The crown and orb are symbols universally associated with royalty and power. On this Christian ciborium they are brought together with the dove to represent the trinity of Father, Son and Holy Spirit.


Sir Arthur Gilbert and his wife Rosalinde formed one of the world's great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. Arthur Gilbert donated his extraordinary collection to Britain in 1996.
Bibliographic references
  • Schroder, Timothy. The Gilbert collection of gold and silver. Los Angeles (Los Angeles County Museum of Art) 1988, cat. no. 145, pp. 538-9. ISBN.0875871445
  • Stuyck, R. Belgische Zilvermerken. Standard Uitgeverei: Antwerp/Edition Erasme: Bussels, 1984. Mark no. 179, pp. 20, 113.
Other numbers
  • SG 220 - Arthur Gilbert Number
  • 1996.704 - The Gilbert Collection, Somerset House
  • SG 189 - Arthur Gilbert Number
Collection
Accession number
LOAN:GILBERT.91:1-2008

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdJune 26, 2008
Record URL
Download as: JSONIIIF Manifest