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Cup thumbnail 2
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Not currently on display at the V&A

Cup

1738-1739 (hallmarked)
Artist/Maker
Place of origin

Paul de Lamerie's workshop was the first to use this design. It became highly sought-after and was soon copied by other London silversmiths. Benjamin Godfrey was closely associated with the Huguenot community of goldsmiths through marriage and may have been of Huguenot origin.

When King Louis XIV revoked the Edict of Nantes in 1685, Huguenots (French Protestants) were forced to leave the country. Many were craftsmen who settled in London. Their technical skills and fashionable French style ensured the luxury silver, furniture, watches and jewellery they made were highly sought after. Huguenot specialists transformed English silver by introducing higher standards of craftsmanship. They promoted new forms, such as the soup tureen and sauceboat, and introduced a new repertoire of ornament, with cast sculptural details and exquisite engraving.

Sir Arthur Gilbert and his wife Rosalinde formed one of the world's great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. Arthur Gilbert donated his extraordinary collection to Britain in 1996.


Object details

Categories
Object type
Parts
This object consists of 2 parts.

  • Cup
  • Cover
Materials and techniques
Silver-gilt, raised, cast, chased, engraved, punched, matted
Brief description
Silver-gilt cup and cover, Benjamin Godfrey, London, 1738-9
Physical description
Silver-gilt two-handled cup and cover resting on a spreading foot which is cast and chased with bands of shells, scrolls and foliage on a punched matted ground. The lower part of the body has applied scroll-and-foliage motifs. The double scroll handles are cast and chased with scrolls and shells. The body of the cup is engraved with the coat of arms of Annesley quartering Chandos and another for Richard Altham who succeeded as 6th Earl of Anglesey in 1737. The cover is engraved with the Anglesey crest and is domed in two stages. Its applied cut card decoration matches that on the base of cup. The finial is of baluster, scroll, shell-and-foliage form.
Dimensions
  • Height: 32cm
  • Width: 34.2cm
  • Depth: 16.8cm
  • Diameter: 12.5cm
  • Weight: 2450g
Updated with measurements taken 18/08/08
Style
Marks and inscriptions
  • The cover is engraved with the crest of the arms of Annesley, Viscount Valentia A moor's head in profile ppr wreathed about the temples argent and azure. The cup is engraved with the arms of Richard Annesley, 6th Earl of Anglesey. The arms of Annesley quartering Chandos and another (argent, three estoiles), for Richard, 6th Earl of Anglesey, Baron Annesley, Viscount Valentia, Baron Mountmorris, and 5th Baron Altham (c. 1690-1761). The arms of Annesley Paly of six argent and azure over all a bend gules. The argent, three estoiles may represent Annesley's first wife Anne Prust of Monkleigh near Bideford, Devon. The supporters Dexter: A Roman knight in armour or, short sleeves and apron gules, face arms and legs bare, the last sandalled argent; on his head a helmet or cap, gold, on the top therof three feathers of the second, holding in his exterior hand a shield, theron a female head; sinister a Moorish prince in armour or, short sleeves and apron gules, face, neck arms and legs purpure, on the latter boots gold, behind him a sheaf of arrows purpure fastened by a pink ribbon wreathed round the temples argent and azure in his exterior hand a bow purpure. The Annesley motto VIRTUTIS AMORE
    Translation
    The Annesley motto VIRTUTIS AMORE (By the Love of Virtue)
  • London hallmarks for 1738-39 (Marked under the base)
  • Mark of Benjamin Godfrey (Marked under the base)
  • Sterling standard (Marked under the base)
Gallery label
(Gallery 71, case 4) 3. Cup and cover 1738–39 This cup and cover bear the mark of goldsmith Benjamin Godfrey, although the design originated from Paul de Lamerie’s workshop. The design became highly sought after and was soon copied by other London silversmiths, demonstrating the speed at which fashionable forms spread. London, England; Benjamin Godfrey (active 1732–41) Gilded silver Engraved with the arms of Richard Annesley, 6th Earl of Anglesey (about 1690–1761) Museum no. Loan:Gilbert.648:1, 2-2008(16/11/2016)
Credit line
The Rosalinde and Arthur Gilbert Collection on loan to the Victoria and Albert Museum, London
Object history
Provenance: Richard, 6th earl of Anglesey. Mrs. L. Vachell, sale, Sotheby's, lot 111, December 13, 1962. Sale, Sotheby's, lot 169, May 9, 1963. Sale, Sotheby's, lot121, November 28, 1963. Sale, Christie's, lot 169, September 24, 1985. Purchased from Partridge (Fine Arts) Ltd., London, 1985.
Production
Maker’s mark of Benjamin Godfrey under the base. The cover is unmarked.
Subjects depicted
Associations
Summary
Paul de Lamerie's workshop was the first to use this design. It became highly sought-after and was soon copied by other London silversmiths. Benjamin Godfrey was closely associated with the Huguenot community of goldsmiths through marriage and may have been of Huguenot origin.

When King Louis XIV revoked the Edict of Nantes in 1685, Huguenots (French Protestants) were forced to leave the country. Many were craftsmen who settled in London. Their technical skills and fashionable French style ensured the luxury silver, furniture, watches and jewellery they made were highly sought after. Huguenot specialists transformed English silver by introducing higher standards of craftsmanship. They promoted new forms, such as the soup tureen and sauceboat, and introduced a new repertoire of ornament, with cast sculptural details and exquisite engraving.

Sir Arthur Gilbert and his wife Rosalinde formed one of the world's great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. Arthur Gilbert donated his extraordinary collection to Britain in 1996.
Bibliographic reference
Schroder, Timothy. The Gilbert collection of gold and silver, Los Angeles (Los Angeles County Museum of Art) 1988, cat. no. 59, pp. 234-6. ISBN.0875871445
Other numbers
  • SG 193 - Arthur Gilbert Number
  • GB 215 - Arthur Gilbert Number
  • 1998.17 - The Gilbert Collection, Somerset House
Collection
Accession number
LOAN:GILBERT.648:1, 2-2008

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Record createdJune 26, 2008
Record URL
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