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Casting Bottle

1553-1554 (hallmarked)
Artist/Maker
Place of origin

This bottle, with its characteristic flagon shape, was used to hold and sprinkle rose water or other scented essence. Such objects were highly fashionable but never particularly common. Now there are only four known surviving examples of pear-shaped casting bottles, of which this is the least altered or damaged. The decoration of the piece is indicative of an early Renaissance style, which went out of fashion around the middle of the 16th century.

This piece is an example of 16th century domestic silver. Such silver was both functional and ornamental. Objects for dining and drinking took elegant forms and were decorated in the latest styles. Beautifully crafted items intended only for display often adopted functional forms such as cups and dishes. Domestic silver was not confined to the most wealthy. Many people owned silver spoons or mounted vessels, items which often became treasured possessions.

Sir Arthur and Rosalinde Gilbert began collecting in the 1960s and over a period of 40 years formed one of the world’s great private collections of decorative arts. The collection consists of over 800 objects from the fields of European gold and silver, Italian mosaics and hardstone, portrait enamels and gold boxes. Sir Arthur Gilbert donated his extraordinary collection to Britain in 1996 to be housed at Somerset House, London, having previously been displayed at Los Angeles County Museum of Art (LACMA). In 2008 the collection was moved to dedicated galleries in the V&A, where a selection has been on permanent display ever since.


Object details

Categories
Object type
Parts
This object consists of 2 parts.

  • Casting Bottle
  • Top
Materials and techniques
Raised, cast, embossed, punched and pierced silver-gilt
Brief description
Silver-gilt casting bottle, London, 1553-54
Physical description
A pear-shaped bottle of oval section embossed with two sprays of foliage above a row of bosses and lobed bottom, with a chain attached on each side by dragon loops. The body surmounts an extremely waisted neck and flaring foot which has been chased with foliate decoration on a punched matted ground. Between two ribs on the neck, chased trellis- and scrollwork, make a visual break between the deeply chased body and the equally chased domed screw-on cover with baluster finial.
Dimensions
  • Height: 14.8cm
  • Width: 8.5cm
  • Depth: 6cm
  • Weight: 180g
Marks and inscriptions
  • London hallmarks for 1553-1554 (On the foot)
  • Sterling standard (On the foot)
  • Indistinct maker's mark (On the foot)
Gallery label
(Gallery 70, case 1) 20. Bottle for rose water 1553–1554 London, England; mark unidentified Gilded silver Museum no. Loan:Gilbert.579:1, 2-2008(16/11/2016)
Credit line
The Rosalinde and Arthur Gilbert Collection on loan to the Victoria and Albert Museum, London
Object history
Provenance: Sale, Sotheby's, lot 46, May 3, 1984. Acquired by Arthur Gilbert from S.J. Phillips Ltd, London, 1984.
Subjects depicted
Summary
This bottle, with its characteristic flagon shape, was used to hold and sprinkle rose water or other scented essence. Such objects were highly fashionable but never particularly common. Now there are only four known surviving examples of pear-shaped casting bottles, of which this is the least altered or damaged. The decoration of the piece is indicative of an early Renaissance style, which went out of fashion around the middle of the 16th century.

This piece is an example of 16th century domestic silver. Such silver was both functional and ornamental. Objects for dining and drinking took elegant forms and were decorated in the latest styles. Beautifully crafted items intended only for display often adopted functional forms such as cups and dishes. Domestic silver was not confined to the most wealthy. Many people owned silver spoons or mounted vessels, items which often became treasured possessions.

Sir Arthur and Rosalinde Gilbert began collecting in the 1960s and over a period of 40 years formed one of the world’s great private collections of decorative arts. The collection consists of over 800 objects from the fields of European gold and silver, Italian mosaics and hardstone, portrait enamels and gold boxes. Sir Arthur Gilbert donated his extraordinary collection to Britain in 1996 to be housed at Somerset House, London, having previously been displayed at Los Angeles County Museum of Art (LACMA). In 2008 the collection was moved to dedicated galleries in the V&A, where a selection has been on permanent display ever since.
Bibliographic references
  • Schroder, Timothy. The Gilbert collection of gold and silver, Los Angeles (Los Angeles County Museum of Art) 1988, cat. no. 5, pp. 44-7. ISBN.0875871445.
  • Art at Auction: The Year at Sotheby's 1983-1984. London; New York: Sotheby & Co., p. 270.
  • Clayton, Michael. The Collector’s dictionary of the silver and gold of Great Britain and North America. 2nd ed. London: Antique Collectors’ Club, 1985, no. 13, p. 78.
  • Schroder, Timothy. 'Early English silver rarities'. The Antique Collector. June 1986, vol. 57, no. 6, fig. 1, p. 117.
  • Glanville, Philippa. Silver in England. London: Unwin Hyman, 1987, pl.1, p. 299.
  • Schroder, Timothy, ed. The Gilbert Collection at the V&A. London (V&A Publishing) 2009, p. 29, plate 13. ISBN9781851775934.
Other numbers
  • SG 180 - Arthur Gilbert Number
  • 1996.693 - The Gilbert Collection, Somerset House
  • GB 215 - Arthur Gilbert Number
  • 1998.17 - The Gilbert Collection, Somerset House
Collection
Accession number
Loan:Gilbert.579:1,2-2008

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Record createdJune 26, 2008
Record URL
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