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Not currently on display at the V&A

Cup

ca. 1580 (made)
Artist/Maker
Place of origin

This exotic coconut shell is carved with scenes of the Passion of Christ. Certain decorative elements on the mounts have close parallels to works from Nürnberg and Amsterdam, revealing the internationalism of the Renaissance goldsmith's craft.

The Rosalinde and Arthur Gilbert Schatzkammer is one of the few collections of its kind formed in the late 20th century. The Schatzkammer, or treasury, was a new concept in the 16th century. It referred to a special chamber in which the most precious artefacts of a princely collection were housed. Gold and jewelled objects were mounted alongside exotic natural curiosities, including rock crystal, nautilus shells and ostrich eggs. Together they demonstrated not only the wonders of nature and the technical achievements of the artist, but also the intellect and culture of the patron.

Sir Arthur Gilbert and his wife Rosalinde formed one of the world's great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. Arthur Gilbert donated his extraordinary collection to Britain in 1996.


Object details

Categories
Object type
Parts
This object consists of 2 parts.

  • Cup
  • Cover
Materials and techniques
Raised, cast, chased, pierced and etched silver-gilt; carved coconut shell
Brief description
Silver-gilt and carved coconut shell cup and cover, Lüneburg, ca.1580.
Physical description
The spreading spool-shaped foot of the cup is chased around the border with a band of gadroons and strapwork on punched matted ground and around the raised central section with flowers and strapwork, with three applied demifigure-scroll brackets above. Additional bands of gadroons are chased at the base of the coconut bowl and beneath the lip, and the two bands are linked by three pierced vertical straps of scrolls and masks. The slightly spreading lip is etched with a band of exotic birds and scrolling foliage. The domed cover is chased with flowers and strapwork similar to that on the raised centre of the foot, with a finial in the form of the Virgin Mary above a spool-shaped plinth with a laurel border. The coconut is carved with twelve scenes illustrating the Passion of Christ. The scenes are, on the upper register, the Entry into Jerusalem, Christ on the Mount of Olives, the Betrayal, Christ before Caiaphas, the Flagellation, the Mocking of Christ, and, on the lower register, Christ before Pilate, the Way to Calvary, the Crucifixion, the Deposition, the Entombment, and the Resurrection.
Dimensions
  • Height: 32.2cm
  • Diameter: 11.5cm
  • Weight: 620g
Updated with measurements taken 14/08/08
Marks and inscriptions
  • Mark for Lüneburg (Under the base)
  • Mark 'AV' in monogram, unidentified maker's mark (Under the base)
Gallery label
(Gallery 70, case 6) 11. Coconut cup and cover About 1580 This coconut shell is carved with scenes from the Passion of Christ. The combination of detailed carving, biblical imagery and an exotic coconut make for a fascinating object. The mounts have decorative elements that are similar to those on works from Nürnberg and Amsterdam, revealing the international nature of design more than 400 years ago. Lüneburg, Germany; maker’s mark AV Coconut shell and gilded silver Museum no. Loan:Gilbert.63:1, 2-2008(16/11/2016)
Credit line
The Rosalinde and Arthur Gilbert Collection on loan to the Victoria and Albert Museum, London
Object history
Provenance: Frederic Spitzer, Paris. Acquired by Arthur Gilbert from S.J. Phillips Ltd, London, 1983.
Production
Maker's mark AV in monogram
Subjects depicted
Summary
This exotic coconut shell is carved with scenes of the Passion of Christ. Certain decorative elements on the mounts have close parallels to works from Nürnberg and Amsterdam, revealing the internationalism of the Renaissance goldsmith's craft.

The Rosalinde and Arthur Gilbert Schatzkammer is one of the few collections of its kind formed in the late 20th century. The Schatzkammer, or treasury, was a new concept in the 16th century. It referred to a special chamber in which the most precious artefacts of a princely collection were housed. Gold and jewelled objects were mounted alongside exotic natural curiosities, including rock crystal, nautilus shells and ostrich eggs. Together they demonstrated not only the wonders of nature and the technical achievements of the artist, but also the intellect and culture of the patron.

Sir Arthur Gilbert and his wife Rosalinde formed one of the world's great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. Arthur Gilbert donated his extraordinary collection to Britain in 1996.
Bibliographic references
  • Darcel, Alfred. 'L'Orfèvrerie civile'. In: Émile Molinier, ed. La Collection Spitzer: Antiquité, moyen âge, renaissance. 6 vols. Paris: Maison Quantin, 1890-3, vol. 3, cat. no. 32, pl. III.
  • Rosenberg, Marc. Der Goldschmiede Merkzeichen. 4 vols. Frankfurt am Main: Frankfurter Verlags-Anstalt, 1922-28, vol. II, no. 3268, p. 285.
  • Scheffler, Wolfgang. Goldschmiede Niedersachsens. 2 vols. Berlin: Walter de Gruyter, 1965, vol. II, no. 1835, p. 942.
  • 'Back Home: La Collection Arthur Gilbert'. Connaissance des arts, October 1996, No. 532, ill. p. 79.
  • Schroder, Timothy. The Gilbert collection of gold and silver, Los Angeles (Los Angeles County Museum of Art) 1988, cat. no. 135, pp. 500-503. ISBN.0875871445
  • Italian Art and Antiques. No. 1, November 1996, p. 51.
Other numbers
  • SG 156 - Arthur Gilbert Number
  • SG 189 - Arthur Gilbert Number
Collection
Accession number
LOAN:GILBERT.63:1, 2-2008

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Record createdJune 26, 2008
Record URL
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