Cup thumbnail 1
Cup thumbnail 2
+1
images
Not currently on display at the V&A

Cup

1585-1586 (hallmarked)
Artist/Maker
Place of origin

Cups of this form, with their distinctive profile and stem, originated in south Germany. This cup was probably made by a London goldsmith copying a German engraved design. The pricked coat of arms on the bowl is probably that of Richard Wilbraham of Nantwich (d. 1612).

This object would once have been part of the buffet. The buffet of plate was an important feature of medieval and Renaissance banquets. Often made of oak or walnut, buffets usually stood at the side of a dining room, their shelves filled with tablewares. Gold and silver vessels were displayed to convey a sense of the owner's wealth. Normally these vessels were used for the service of food and drink, but on great state occasions they would be set out purely for display.

Sir Arthur Gilbert and his wife Rosalinde formed one of the world's great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. Arthur Gilbert donated his extraordinary collection to Britain in 1996.


Object details

Categories
Object type
Parts
This object consists of 2 parts.

  • Cup
  • Cover
Materials and techniques
Partially gilded (parcel-gilt) silver raised, cast, embossed, engraved, and pricked
Brief description
Silver-gilt cup and cover, Samuel Birkbeck, London, 1585-86
Physical description
A silver-gilt, gourd-shaped cup and cover has a domed spreading foot stamped around the border with egg-and-dart ornament and embossed with strapwork and sprays of fruit. The stem is parcel-gilt and in the form of a twisted tree trunk. The gourd-shaped bowl is pricked with the coat of arms of Wilbraham of Woodhey, Cheshire and engraved with a band of strapwork and foliage arabesques. The cover, which is flush with the bowl, is similarly engraved and has a baluster finial.
Dimensions
  • Height: 29.6cm
  • Diameter: 11cm
  • Weight: 620g
Updated with measurements taken 14/08/08
Marks and inscriptions
  • London hallmarks for 1585-86 (On the lip and cover)
  • Mark of Samuel Birkbeck (On the lip and cover)
  • Pricked with the coat of arms for Wilbraham of Woodhey, Cheshire
  • Sterling standard (On the lip and cover)
Gallery label
(Gallery 70, case 2) 9. Gourd-shaped cup and cover 1585–86 Cups in this shape were first made in Germany, but became popular in England too. London, England; possibly Samuel Birkbeck (active 1580–85) Gilded silver and silver Pricked with arms probably of Richard Wilbraham of Nantwich (died 1612) Museum no. Loan:Gilbert.539:1, 2-2008(16/11/2016)
Credit line
The Rosalinde and Arthur Gilbert Collection on loan to the Victoria and Albert Museum, London
Object history
Provenance: Possibly Thomas or Richard Wilbraham of Woodley, Cheshire. By descent to George Wilbraham, sale, Christie's, lot 74, July 23, 1930. Sale, Sotheby's, lot 87, November 17, 1937. William Randolph Hearst, sale, Christie's, lot 102, December 14, 1938. Sale, Christie's, lot 98, June 22 1960. Sale, Parke Bernet, New York, lot 202, March 20, 1970. Arthur Houghton, Wye Plantation, Maryland.Purchased from S.J. Shrubsole Corporation, New York, 1981.
Subjects depicted
Summary
Cups of this form, with their distinctive profile and stem, originated in south Germany. This cup was probably made by a London goldsmith copying a German engraved design. The pricked coat of arms on the bowl is probably that of Richard Wilbraham of Nantwich (d. 1612).

This object would once have been part of the buffet. The buffet of plate was an important feature of medieval and Renaissance banquets. Often made of oak or walnut, buffets usually stood at the side of a dining room, their shelves filled with tablewares. Gold and silver vessels were displayed to convey a sense of the owner's wealth. Normally these vessels were used for the service of food and drink, but on great state occasions they would be set out purely for display.

Sir Arthur Gilbert and his wife Rosalinde formed one of the world's great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. Arthur Gilbert donated his extraordinary collection to Britain in 1996.
Bibliographic references
  • Christie's Season 1930. pp. 184-5. Jennifer Pitman, ‘The Silver Legacy of William Randolph Hearst’, Proceedings of the SIlver Society of Canada, 4 (Fall 2001), pp.1-8, illustrated page 5.
  • Christie's Review of the Year 1960. London: Constable, p. 35.
  • Penzer, N.M. The Steeple Cup. Parts 1 – 5. Apollo. December, 1959, vol. 70, pp. 161-6; April, June 1960, vol. 71, pp. 103-9, 165-70, 178; October, December 1960, vol. 72. pp. 105-10, 173-8.
  • Art at Auction: The Year at Sotheby's and Parke-Bernet 1969-1970, p. 362.
  • Clayton, Michael. The Collector’s dictionary of the silver and gold of Great Britain and North America. London: Country Life Books/Hamlyn Publishing Group, 1971, no. 181, p. 88.
  • Hayward, J.F. Virtuoso goldsmiths and the triumph of Mannerism, 1540-1620. London: Sotheby Parke Bernet Publications; New York: Rizzoli International Publications, 1976, pl. 656, p. 401.
  • Clayton, Michael. The Collector’s dictionary of the silver and gold of Great Britain and North America. 2nd ed. London: Antique Collectors’ Club, 1985, no. 181, p. 127.
  • Clayton, Michael. Christie's pictorial history of English and American silver. Oxford: Phaidon/Christie's, 1985, cat. no. 6, p. 36. ISBN.0714880183
  • Schroder, Timothy. 'Early English silver rarities'. The Antique Collector. June 1986, vol. 57, no. 6, fig. 5, p. 119.
  • Schroder, Timothy. The Gilbert collection of gold and silver, Los Angeles (Los Angeles County Museum of Art) 1988, cat. no. 11, pp. 66-9. ISBN.0875871445
  • Schroder, Timothy, ed. The Gilbert Collection at the V&A. London (V&A Publishing) 2009, p. 32, plate 16. ISBN9781851775934
Other numbers
  • SG 113 - Arthur Gilbert Number
  • GB 215 - Arthur Gilbert Number
  • 1998.17 - The Gilbert Collection, Somerset House
Collection
Accession number
LOAN:GILBERT.539:1, 2-2008

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdJune 26, 2008
Record URL
Download as: JSONIIIF Manifest