Plaque thumbnail 1
Plaque thumbnail 2
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Not currently on display at the V&A

Plaque

c. 1810 (made)
Artist/Maker
Place of origin

The Asian leopard shown here has larger spots than its African counterpart. Puglieschi's animals may have been inspired by those of the Bohemian artist Wenceslaus Peter (1742-1829).

The term 'micromosaic' is used to describe mosaics made of the smallest glass pieces. Some micromosaics contain more than 5000 pieces per square inch. The earliest attempts at micromosaic revealed visible joins between the pieces (known as tesserae) and a lack of perspective. Later artists such as Antonio Aguatti made huge advances in micromosaic technique, resulting in renderings that were truer to life. Glass micromosaic technique developed in the 18th century, in the Vatican Mosaic Workshop in Rome, where they still undertake restoration work today.

Sir Arthur Gilbert and his wife Rosalinde formed one of the world's great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. Arthur Gilbert donated his extraordinary collection to Britain in 1996.


Object details

Category
Object type
Parts
This object consists of 2 parts.

  • Plaque
  • Frame
Materials and techniques
Micromosaic with beaded, gilt and carved frame
Brief description
Plaque with leopard attacking a kid. Probably Filipo Puglieschi, Rome, c.1810.
Physical description
Small circular micromosaic plaque depicting a leopard attacking a goat kid in a river landscape. The leopard's head is at the left, the kid's leg in its jaws. The plaque is within a beaded gilt frame surmounted by an eagle.
Dimensions
  • Diameter: 7cm
Gallery label
2. Plaque with leopard attacking a kid, about 1810 Museum no. Loan:Gilbert.199:1-2008(16/11/2016)
Credit line
The Rosalinde and Arthur Gilbert Collection on loan to the Victoria and Albert Museum, London
Object history
Provenance: Michael Hall, New York, 1975.
Subjects depicted
Summary
The Asian leopard shown here has larger spots than its African counterpart. Puglieschi's animals may have been inspired by those of the Bohemian artist Wenceslaus Peter (1742-1829).

The term 'micromosaic' is used to describe mosaics made of the smallest glass pieces. Some micromosaics contain more than 5000 pieces per square inch. The earliest attempts at micromosaic revealed visible joins between the pieces (known as tesserae) and a lack of perspective. Later artists such as Antonio Aguatti made huge advances in micromosaic technique, resulting in renderings that were truer to life. Glass micromosaic technique developed in the 18th century, in the Vatican Mosaic Workshop in Rome, where they still undertake restoration work today.

Sir Arthur Gilbert and his wife Rosalinde formed one of the world's great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. Arthur Gilbert donated his extraordinary collection to Britain in 1996.
Bibliographic reference
Italian Art and Antiques, no. 1, November 1996, p. 49.
Other numbers
  • MM 204 - Arthur Gilbert Number
  • MM 297 - Arthur Gilbert Number
Collection
Accession number
LOAN:GILBERT.199:1, 2-2008

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Record createdJune 26, 2008
Record URL
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