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Plaque

1825 (made)
Place of origin

This plaque depicts Romulus and Remus, the legendary founders of Rome, who were rescued as infants from the river Tiber by a female wolf. The wolf raised the twins until they were discovered by the shepherd Faustulus.

The term 'micromosaic' is used to describe mosaics made of the smallest glass pieces. Some micromosaics contain more than 5000 pieces per square inch. The earliest attempts at micromosaic revealed visible joins between the pieces (known as tesserae) and a lack of perspective. Later artists such as Antonio Aguatti made huge advances in micromosaic technique, resulting in renderings that were truer to life. Glass micromosaic technique developed in the 18th century, in the Vatican Mosaic Workshop in Rome, where they still undertake restoration work today.

Sir Arthur Gilbert and his wife Rosalinde formed one of the world's great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. Arthur Gilbert donated his extraordinary collection to Britain in 1996.


Object details

Categories
Object type
Parts
This object consists of 2 parts.

  • Plaque
  • Frame
Materials and techniques
Glass micromosaic and gilt metal
Brief description
Plaque depicting Faustulus discovering Romulus and Remus, micromosaic, Rome, ca.1825.
Physical description
Circular micromosaic miniature plaque of Faustulus discovering Romulus and Remus, within a gilt frame.
Gallery label
1. Plaque with Romulus and Remus, about 1825 Museum no. Loan:Gilbert.206:1-2008(16/11/2016)
Credit line
The Rosalinde and Arthur Gilbert Collection on loan to the Victoria and Albert Museum, London
Object history
Provenance: Amadeo di Castro, Rome.

Historical significance: An almost identical plaque formerly in the Karabanov collection is at the State Hermitage in St. Petersburg.
Subjects depicted
Summary
This plaque depicts Romulus and Remus, the legendary founders of Rome, who were rescued as infants from the river Tiber by a female wolf. The wolf raised the twins until they were discovered by the shepherd Faustulus.

The term 'micromosaic' is used to describe mosaics made of the smallest glass pieces. Some micromosaics contain more than 5000 pieces per square inch. The earliest attempts at micromosaic revealed visible joins between the pieces (known as tesserae) and a lack of perspective. Later artists such as Antonio Aguatti made huge advances in micromosaic technique, resulting in renderings that were truer to life. Glass micromosaic technique developed in the 18th century, in the Vatican Mosaic Workshop in Rome, where they still undertake restoration work today.

Sir Arthur Gilbert and his wife Rosalinde formed one of the world's great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. Arthur Gilbert donated his extraordinary collection to Britain in 1996.
Bibliographic references
  • Gabriel, Jeanette Hanisee with contributions by Anna Maria Massinelli and essays by Judy Rudoe and Massimo Alfieri. Micromosaics: The Gilbert Collection. London: Philip Wilson Publishers Ltd. in association with The Gilbert Collection, 2000. 310 p., ill. Cat. no. 153, p. 223. ISBN 0856675113.
  • The Gilbert Mosaic Collection, Los Angeles : Los Angeles County Museum of Art, 1975 48a
  • Avery, Charles, assisted by Arthur Emperatori. Mosaics from the Gilbert Collection: summary catalogue. London : H.M.S.O., 1975 103
Other numbers
  • MM 297 - Arthur Gilbert Number
  • 1996.579 - The Gilbert Collection, Somerset House
Collection
Accession number
LOAN:GILBERT.206:1, 2-2008

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Record createdJune 26, 2008
Record URL
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