Bonbonnière
1809-1819 (made)
Artist/Maker | |
Place of origin |
Eugène de Beauharnais, whose portrait appears on this box, was the stepson of Napoleon Bonaparte through his first wife Josephine. A loyal supporter of his step-father, he took part in a number of notable battles. He was married in 1806 to Augusta Amelia, daughter of the Elector Maximilien III, whom Napoleon elevated to royal status as the first king of Bavaria. For much of his career, Eugène was viceroy of Italy but following the overthrow of Napoleon, he took refuge in Munich where he died at the age of 43.
The cameo was carved by Giovanni Beltrami (1779-1854), trained as a stone-cutter under the renowned Giovanni Pichler. He was famed for his very elaborate cameos and intaglios, such as cutting twenty figures on a single stone and producing a miniature version of Leonardo da Vinci's Last Supper on a topaz. He worked for a number of European monarchs, including the empress of Austria. Eugène de Beauharnais commissioned several portraits from him, one of which is set in this box.
Sir Arthur Gilbert and his wife Rosalinde formed one of the world’s great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. Arthur Gilbert donated his extraordinary collection to Britain in 1996.
The cameo was carved by Giovanni Beltrami (1779-1854), trained as a stone-cutter under the renowned Giovanni Pichler. He was famed for his very elaborate cameos and intaglios, such as cutting twenty figures on a single stone and producing a miniature version of Leonardo da Vinci's Last Supper on a topaz. He worked for a number of European monarchs, including the empress of Austria. Eugène de Beauharnais commissioned several portraits from him, one of which is set in this box.
Sir Arthur Gilbert and his wife Rosalinde formed one of the world’s great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. Arthur Gilbert donated his extraordinary collection to Britain in 1996.
Object details
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Object type | |
Parts | This object consists of 2 parts.
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Materials and techniques | Pierced and chased gold, pearls, turquoise, agate, enamel, glass, cameo |
Brief description | Gold, pearls, turquoise, agate, enamel, glass, cameo portrait of Eugène de Beauharnais. Paris, cameo: Giovanni Beltrami, 1809-19, box: Nicolas Lecoufle |
Physical description | A circular, jewelled, gold-mounted glass bonbonnière, the gold on the cover, walls and base pierced and chased with stylised foliage and bordered by translucent green enamel. The cover is set with a cameo of Eugene de Beauharnais within a wreath of pearls and turquoise foliage. |
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Marks and inscriptions |
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Gallery label | 1. Bonbonnière with cameo of Eugène de Beauharnais, son of the Empress Joséphine and stepson of Napoleon, 1809–19
Museum no. Loan:Gilbert.1040:1, 2-2008(16/11/2016) |
Credit line | The Rosalinde and Arthur Gilbert Collection on loan to the Victoria and Albert Museum, London |
Object history | Provenance: Probably Auguste Frédéric Louis Viesse de Marmont, Duc de Raguse (20 July 1774 – 22 March 1852). Acquired by Rosalinde and Arthur Gilbert from D.S. Lavender, London circa 1983-1991. Art of Gem Engraving Exhibition RF: 2008/240 ‘Art of Gem Engraving from Alexander the Great to Napoleon III’ (Hakone Museum 6 September – 26 October 2008 and Fukuoka City Museum Japan, 15 November – 23 December 2008). |
Production | The cameo is by Giovanni Beltrami; the maker of the box is Nicolas Lecoufle (the latter identified by Charles Truman) |
Subjects depicted | |
Summary | Eugène de Beauharnais, whose portrait appears on this box, was the stepson of Napoleon Bonaparte through his first wife Josephine. A loyal supporter of his step-father, he took part in a number of notable battles. He was married in 1806 to Augusta Amelia, daughter of the Elector Maximilien III, whom Napoleon elevated to royal status as the first king of Bavaria. For much of his career, Eugène was viceroy of Italy but following the overthrow of Napoleon, he took refuge in Munich where he died at the age of 43. The cameo was carved by Giovanni Beltrami (1779-1854), trained as a stone-cutter under the renowned Giovanni Pichler. He was famed for his very elaborate cameos and intaglios, such as cutting twenty figures on a single stone and producing a miniature version of Leonardo da Vinci's Last Supper on a topaz. He worked for a number of European monarchs, including the empress of Austria. Eugène de Beauharnais commissioned several portraits from him, one of which is set in this box. Sir Arthur Gilbert and his wife Rosalinde formed one of the world’s great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. Arthur Gilbert donated his extraordinary collection to Britain in 1996. |
Bibliographic reference | Truman, Charles.The Gilbert collection of gold boxes, Vol. I. Los Angeles (Los Angeles County Museum of Art) 1991, cat. no. 41, pp. 130-1. ISBN.0875871623 |
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Collection | |
Accession number | LOAN:GILBERT.1040:1, 2-2008 |
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Record created | June 26, 2008 |
Record URL |
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