Bonbonnière thumbnail 1
Bonbonnière thumbnail 2
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Bonbonnière

ca. 1780 (made)
Artist/Maker
Place of origin

Bonbonnière - a box for sweets- is a term used today for boxes without hinges. At the end of the eighteenth century, when this box was made, it could apply to boxes with hinges as well.

Coloured hardstones decorate this bonbonnière, including carnelian, turquoise, jasper, and lapis lazuli.The technique of mounting hardstones may be attributed to the workshop of Christian Neuber, working in Dresden. The lid and base of the box are set with micromosaic panels of a dog and a butterfly. The style of these, especially the butterfly on the base of the box, bear close relation to the mosaics of Giacomo Raffaelli and his studio. Raffaelli was one of the most talented Roman mosaicists. He was possibly the first artist to work in this medium, around 1775. The inclusion of Roman micromosaics upon this German box demonstrates the popularity of this medium in Europe in the 18th century.

Sir Arthur Gilbert and his wife Rosalinde formed one of the world’s great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. Arthur Gilbert donated his extraordinary collection to Britain in 1996.

Object details

Categories
Object type
Parts
This object consists of 2 parts.

  • Bonbonniere
  • Bonbonniere
Materials and techniques
Carnelian, turquoise, jasper and lapis lazuli in gold mounts, micromosaic
Brief description
Bonbonnière set with a micromosaic of a dog. Bonbonnière attributed to Johann Christian Neuber, Dresden. Mosaics attributed to Giacomo Raffaelli, Rome, ca. 1780
Physical description
Circular, gold-mounted hardstone bonbonniere the cover with a micromosaic panel of a seated hound, with a deep blue background, the base with a micromosaic panel of a butterfly, also on a deep blue ground, bordered by carnelian ovals and turquoise and jasper forget-me-nots. The walls have panels of lapis lazuli, some hung with wreaths of laurel in green jasper, within similar borders.
Dimensions
  • Diameter: 7.7cm
  • Depth: 3.3cm
Measured 04/03/24 IW
Gallery label
(16/11/2016)
7. Bonbonnière with dog
About 1780

Bonbonnière, or a box for sweets, is a term used today for boxes without hinges. However at the end of the 18th century when this box was made, it could apply to boxes with hinges as well.

Box: probably Dresden, Germany; Johann Christian Neuber (1736–1808)
Mosaics: Rome, Italy; probably Giacomo Raffaelli (1753–1856)
Hardstones, gold and glass micromosaic
Museum no. Loan:Gilbert.349:1, 2-2008
(2009)
Bonbonnière with dog
About 1780

Bonbonnière – a box for sweets – is a term used today
for boxes without hinges. At the end of the 18th century,
when this box was made, it could apply to boxes with
hinges as well.

Box: probably Dresden, Germany;
Johann Christian Neuber (1736–1808)
Mosaics: Rome, Italy;
probably Giacomo Raffaelli (1753–1856)
Hardstones, gold and glass micromosaic
Museum no. Loan:Gilbert.349:1, 2-2008
Credit line
The Rosalinde and Arthur Gilbert Collection on loan to the Victoria and Albert Museum, London
Object history
Provenance: Sale, November 7, 1976. Sotheby's, Zurich, lot 84.
Production
The mosaics are attributed to Giacomo Raffaelli of Rome, c. 1780
Subjects depicted
Summary
Bonbonnière - a box for sweets- is a term used today for boxes without hinges. At the end of the eighteenth century, when this box was made, it could apply to boxes with hinges as well.

Coloured hardstones decorate this bonbonnière, including carnelian, turquoise, jasper, and lapis lazuli.The technique of mounting hardstones may be attributed to the workshop of Christian Neuber, working in Dresden. The lid and base of the box are set with micromosaic panels of a dog and a butterfly. The style of these, especially the butterfly on the base of the box, bear close relation to the mosaics of Giacomo Raffaelli and his studio. Raffaelli was one of the most talented Roman mosaicists. He was possibly the first artist to work in this medium, around 1775. The inclusion of Roman micromosaics upon this German box demonstrates the popularity of this medium in Europe in the 18th century.

Sir Arthur Gilbert and his wife Rosalinde formed one of the world’s great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. Arthur Gilbert donated his extraordinary collection to Britain in 1996.
Bibliographic references
  • Art Price Annual, vol. 6, 1975-1976, Munich: Kunst u. Technik, vol. XXXI, 1976, rept. p. 178.
  • Gonzalez-Palacios, Alvar. The Art of Mosaics: Selections from the Gilbert Collection, Los Angeles (Los Angeles County Museum of Art) 1977, 143 p., ill. Cat. no.23. ISBN 0875870805.
  • Gonzalez-Palacios, Alvar and Steffi Röttgen with essays by Steffi Röttgen, Claudia Przyborowski; essays and new catalogue material translated by Alla Theodora Hall. The Art of Mosaics: Selections from the Gilbert Collection. Los Angeles (Los Angeles County Museum of Art) 1982, 224 p., ill. Cat. no. 23. ISBN0875871097
  • Habsburg-Lothringen, Géza von. Gold boxes from the collection of Rosalinde and Arthur Gilbert. R. & A. Gilbert, 1983, 125 p., ill. Cat. no. 41, p. 84. ISBN 0961039809.
  • Truman, Charles.The Gilbert collection of gold boxes, Vol. I. Los Angeles (Los Angeles County Museum of Art) 1991, cat. no. 82, pp. 240-1. ISBN.0875871623
  • Schroder, Timothy, ed. The Gilbert Collection at the V&A. London (V&A Publishing) 2009, p. 57, plate 42. ISBN9781851775934
  • Zech, Heike. 'Goldboxes in the Gilbert Collection at the V & A'. In : Art Antiques London. Catalogue of Art Antiques London, incorporating The International Ceramics Fair & Seminar, 10 June - 16 June 2010. London: Haughton International Fairs, London, 2010, p.17. ill.
  • Kugel, Alexis (ed.). Gold, Jasper and Carnelian. Johann Christian Neuber at the Saxon Court. London: Paul Holberton publishing, 2012, p. 358, cat. no. 135. ISBN978-1-907372-36-0
  • Zech, Heike. Gold Boxes. Masterpieces from the Rosalinde and Arthur Gilbert Collection. London: V&A Publishing, 2015, pp. 96-97, no. 32. ISBN 987-1-85177-840-9
  • Schroder, Timothy. Gold boxes : from the Gilbert collection : an exhibition, Los Angeles : Los Angeles County Museum of Art, 1986 36
Other numbers
  • 70 (Monumental Silver and the Art of Mosaics exhibition 1977) - Exhibition number
  • GB 80 - Arthur Gilbert Number
  • 1996.791.1 - The Gilbert Collection, Somerset House
  • MIN 26 - Arthur Gilbert Number
Collection
Accession number
LOAN:GILBERT.349:1, 2-2008

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Record createdJune 26, 2008
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