Bonbonnière
ca. 1780 (made)
Artist/Maker | |
Place of origin |
Bonbonnière - a box for sweets- is a term used today for boxes without hinges. At the end of the eighteenth century, when this box was made, it could apply to boxes with hinges as well.
Coloured hardstones decorate this bonbonnière, including carnelian, turquoise, jasper, and lapis lazuli.The technique of mounting hardstones may be attributed to the workshop of Christian Neuber, working in Dresden. The lid and base of the box are set with micromosaic panels of a dog and a butterfly. The style of these, especially the butterfly on the base of the box, bear close relation to the mosaics of Giacomo Raffaelli and his studio. Raffaelli was one of the most talented Roman mosaicists. He was possibly the first artist to work in this medium, around 1775. The inclusion of Roman micromosaics upon this German box demonstrates the popularity of this medium in Europe in the 18th century.
Sir Arthur Gilbert and his wife Rosalinde formed one of the world’s great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. Arthur Gilbert donated his extraordinary collection to Britain in 1996.
Coloured hardstones decorate this bonbonnière, including carnelian, turquoise, jasper, and lapis lazuli.The technique of mounting hardstones may be attributed to the workshop of Christian Neuber, working in Dresden. The lid and base of the box are set with micromosaic panels of a dog and a butterfly. The style of these, especially the butterfly on the base of the box, bear close relation to the mosaics of Giacomo Raffaelli and his studio. Raffaelli was one of the most talented Roman mosaicists. He was possibly the first artist to work in this medium, around 1775. The inclusion of Roman micromosaics upon this German box demonstrates the popularity of this medium in Europe in the 18th century.
Sir Arthur Gilbert and his wife Rosalinde formed one of the world’s great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. Arthur Gilbert donated his extraordinary collection to Britain in 1996.
Object details
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Object type | |
Parts | This object consists of 2 parts.
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Materials and techniques | Carnelian, turquoise, jasper and lapis lazuli in gold mounts, micromosaic |
Brief description | Bonbonnière set with a micromosaic of a dog. Bonbonnière attributed to Johann Christian Neuber, Dresden. Mosaics attributed to Giacomo Raffaelli, Rome, ca. 1780 |
Physical description | Circular, gold-mounted hardstone bonbonniere the cover with a micromosaic panel of a seated hound, with a deep blue background, the base with a micromosaic panel of a butterfly, also on a deep blue ground, bordered by carnelian ovals and turquoise and jasper forget-me-nots. The walls have panels of lapis lazuli, some hung with wreaths of laurel in green jasper, within similar borders. |
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Gallery label |
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Credit line | The Rosalinde and Arthur Gilbert Collection on loan to the Victoria and Albert Museum, London |
Object history | Provenance: Sale, November 7, 1976. Sotheby's, Zurich, lot 84. |
Production | The mosaics are attributed to Giacomo Raffaelli of Rome, c. 1780 |
Subjects depicted | |
Summary | Bonbonnière - a box for sweets- is a term used today for boxes without hinges. At the end of the eighteenth century, when this box was made, it could apply to boxes with hinges as well. Coloured hardstones decorate this bonbonnière, including carnelian, turquoise, jasper, and lapis lazuli.The technique of mounting hardstones may be attributed to the workshop of Christian Neuber, working in Dresden. The lid and base of the box are set with micromosaic panels of a dog and a butterfly. The style of these, especially the butterfly on the base of the box, bear close relation to the mosaics of Giacomo Raffaelli and his studio. Raffaelli was one of the most talented Roman mosaicists. He was possibly the first artist to work in this medium, around 1775. The inclusion of Roman micromosaics upon this German box demonstrates the popularity of this medium in Europe in the 18th century. Sir Arthur Gilbert and his wife Rosalinde formed one of the world’s great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. Arthur Gilbert donated his extraordinary collection to Britain in 1996. |
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Collection | |
Accession number | LOAN:GILBERT.349:1, 2-2008 |
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Record created | June 26, 2008 |
Record URL |
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