Table
1820 - 1870 (made)
Artist/Maker | |
Place of origin |
The composition of Boschetti's tabletop follows one of Michelangelo Baberi's most successful works, The Triumph of Cupid, which was highly publicised at the time (1823). It was engraved by Luigi Calamatta (1802-69) and explained with regards to the meanings behind the symbolic contents of the roundels. The central composition comes from Petrarch's description of Amor in Trionfo d'Amore which describes Cupid as being 'a cruel youth with bow in hand and arrows at his side; / nothing did he fear, therefore he wore neither mail no shield / But on his shoulders only two great wings / Of a thousand colours, otherwise he was nude.'
Sir Arthur Gilbert and his wife Rosalinde formed one of the world's great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. Arthur Gilbert donated his extraordinary collection to Britain in 1996.
Sir Arthur Gilbert and his wife Rosalinde formed one of the world's great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. Arthur Gilbert donated his extraordinary collection to Britain in 1996.
Object details
Object type | |
Parts | This object consists of 2 parts.
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Materials and techniques | Micromosaic, gilt bronze |
Brief description | Circular tabletop with Triumph of Cupid and the Planets, mosaic and gilt bronze, made by Benedetto Boschetti, Rome, c.1820-1870 |
Physical description | Circular tabletop with central micromosaic image of Cupid in a chariot drawn by four white horses, the border with symbols of the planets within foliage wreaths. The tripod pedestal base has a waisted column with a central knop and a spreading base with three legs. |
Dimensions |
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Credit line | The Rosalinde and Arthur Gilbert Collection on loan to the Victoria and Albert Museum, London |
Object history | Provenance: Florence Goldman, New York, 1972. Nestles, New York, 1974. |
Summary | The composition of Boschetti's tabletop follows one of Michelangelo Baberi's most successful works, The Triumph of Cupid, which was highly publicised at the time (1823). It was engraved by Luigi Calamatta (1802-69) and explained with regards to the meanings behind the symbolic contents of the roundels. The central composition comes from Petrarch's description of Amor in Trionfo d'Amore which describes Cupid as being 'a cruel youth with bow in hand and arrows at his side; / nothing did he fear, therefore he wore neither mail no shield / But on his shoulders only two great wings / Of a thousand colours, otherwise he was nude.' Sir Arthur Gilbert and his wife Rosalinde formed one of the world's great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. Arthur Gilbert donated his extraordinary collection to Britain in 1996. |
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Other numbers |
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Collection | |
Accession number | LOAN:GILBERT.895:1-2008 |
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Record created | June 26, 2008 |
Record URL |
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