Theatre Costume
1970s (made)
Artist/Maker | |
Place of origin |
Eve was a small Central London night club which opened in 1953 and was well-known for its imaginative floor-shows. Its founder, Helen O'Brien, devised witty entertainments which contained all the elements traditionally associated with glamorous night clubs - music, dance and parades of attractive showgirls - but presented them in a highly original way. Her designer, Ronald Cobb, created the costumes for sequences with such unexpected themes as Shakespeare's plays, Aldous Huxley's Brave New World, and The Mind of Goya. The club appealed to a sophisticated audience that enjoyed spotting the references.
In the 1970s the majority of the Eve showgirls were topless. Their costumes were minimal but elaborate, no more than a headdress, sleeves and a G-string, but all incorporated amusing references and symbols appropriate to the theme. This headdress was worn in a sequence with the title 'Bibliotheque' in which the girls personified different literary genres, including Science Fiction, the Crime Novel and Drama, with Shakespeare representing the theatre. Ronald Cobb designed costumes to illustrate Macbeth, Romeo and Juliet, Antony and Cleopatra, The Merchant of Venice, A Midsummer Night's Dream, and Hamlet. Only the Hamlet headdress survives. Cobb's design shows that the sleeves were in two different medieval styles and the comically tasteless decoration on the G-string was the white face of the drowned Ophelia. The headdress is heavy and requires the wearer to have perfect deportment.
In the 1970s the majority of the Eve showgirls were topless. Their costumes were minimal but elaborate, no more than a headdress, sleeves and a G-string, but all incorporated amusing references and symbols appropriate to the theme. This headdress was worn in a sequence with the title 'Bibliotheque' in which the girls personified different literary genres, including Science Fiction, the Crime Novel and Drama, with Shakespeare representing the theatre. Ronald Cobb designed costumes to illustrate Macbeth, Romeo and Juliet, Antony and Cleopatra, The Merchant of Venice, A Midsummer Night's Dream, and Hamlet. Only the Hamlet headdress survives. Cobb's design shows that the sleeves were in two different medieval styles and the comically tasteless decoration on the G-string was the white face of the drowned Ophelia. The headdress is heavy and requires the wearer to have perfect deportment.
Object details
Categories | |
Object type | |
Parts | This object consists of 3 parts. (Some alternative part names are also shown below)
|
Materials and techniques | Plastic, velvet, sequins, cotton, artificial jewels, wood, plaster, braid and gold braid |
Brief description | Headdress representing Shakespeare's play, Hamlet, worn by a showgirl at Eve night club, 1970s |
Dimensions |
|
Gallery label |
|
Credit line | Given by Jimmy and Helen O'Brien |
Object history | This costume was created for one of the sequences in a revue at Eve, a London night club. Eve was founded by Helen and Jimmy O'Brien in 1953. They had been members of another London club, Murray's Cabaret Club, and their designer, Ronald Cobb, had also worked for Murray's. Cobb designed and supervised the making of the showgirls' costumes from its earliest days until its closure in 1992. |
Summary | Eve was a small Central London night club which opened in 1953 and was well-known for its imaginative floor-shows. Its founder, Helen O'Brien, devised witty entertainments which contained all the elements traditionally associated with glamorous night clubs - music, dance and parades of attractive showgirls - but presented them in a highly original way. Her designer, Ronald Cobb, created the costumes for sequences with such unexpected themes as Shakespeare's plays, Aldous Huxley's Brave New World, and The Mind of Goya. The club appealed to a sophisticated audience that enjoyed spotting the references. In the 1970s the majority of the Eve showgirls were topless. Their costumes were minimal but elaborate, no more than a headdress, sleeves and a G-string, but all incorporated amusing references and symbols appropriate to the theme. This headdress was worn in a sequence with the title 'Bibliotheque' in which the girls personified different literary genres, including Science Fiction, the Crime Novel and Drama, with Shakespeare representing the theatre. Ronald Cobb designed costumes to illustrate Macbeth, Romeo and Juliet, Antony and Cleopatra, The Merchant of Venice, A Midsummer Night's Dream, and Hamlet. Only the Hamlet headdress survives. Cobb's design shows that the sleeves were in two different medieval styles and the comically tasteless decoration on the G-string was the white face of the drowned Ophelia. The headdress is heavy and requires the wearer to have perfect deportment. |
Associated object | S.713-1996 (Design) |
Collection | |
Accession number | S.698:1 to 3-1996 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
Record created | June 26, 2008 |
Record URL |
Download as: JSON